Wednesday, 16 August 2017

Monkeying Around



Keeping with the soundtrack theme this time, after being informed by former site owner Jordan on twitter that the Ape Escape OST was on spotify I dug it out. The punnily titled Originape Soundtracks came out much much later than the game itself but with good reason, the versions of the tunes on it are slightly jazzed up and re-arranged versions as they're free of the restrictions of having to fit onto a PS1. Now I believe I've mentioned the last few times that Soichi Terada has come up that he's the man responsible for my early exposure to Drum & Bass, and this soundtrack is entirely the reason why, it's not hard to connect the dots between my love of slightly chill spacey sounds and songs like Time Station.

Soichi Terada - Time Station [click to download] |HTML5|


There's plenty more musical archaeology (no pun intended) for the foundations of my musical taste here, I'm certain that Cryptic Relics is at least partially responsible for my love of pitch bends for one. It's also a fantastic demonstration of why Terada's music was a perfect choice for the game, at the risk of repeating myself from last time, he makes it seem incredibly effortless and the end result is once again as at home as a soundtrack as it is on it own. It does however also fall prey to the same issue that affects the entire release, it's a whopping 43 tracks long but to fit all them in they're all incredibly short. I thought that being freed from the limitations of the Playstation would call for extensions but that isn't the case unfortunately, get your fingers ready to repeat.

Soichi Terada - Cryptic Relics [click to download] |HTML5|


The other thing I adore about the OST is it's a lovely little time warp to it's own era. Songs like Peak Point Matrix just ooze this pre-millennium atmosphere, the smooth intro sounds like it could be part of a demo disc's opening attract movie. I know I always revisit points like that and it makes me sound like a colossal nostalgia nerd but like I said before, when I was a wee one, demo discs and the like were where I found the little bits and pieces of electronic music that would set me on this path to begin with so it only follows that I have a major soft spot for it. Plus I feel like I owe Mr. Terada some thanks too.

Soichi Terada - Peak Point Matrix [click to download] |HTML5|


And playing us out, possibly the most Ape Escape encapsulating song of the bunch, Crabby Beach. It actually opens the album which is a masterful move because that little melody that plays is one of the first that jump into my mind when I think of the series (although truth be told I do slightly prefer the sounds of the actual game's version over this one). Like all tunes on here it's a little on the short side, but there's a heck of a lot going on in that 1:42 of runtime.

Soichi Terada - Crabby Beach [click to download] |HTML5|


-Claude Van Foxbat

Friday, 11 August 2017

Animated

Aurel Cojan - Paysage Animé (1998)


Taking a sharp left here to talk about some more soundtrack stuff. As the title would suggest the following are all taken from the few anime soundtracks I have in my collection. Now that may have just sounded incredibly nerdy but trust me here alright? Kicking off with Inner Universe which may be the finest opening tune ever devised. As at home standing alone (heh) as it is in the opening credits, I'll forever love the contrast between the electronics and Origa's unique vocal contributions which go hand in hand with the world of Ghost In The Shell incredibly well.

Origa - Inner Universe [click to download] |HTML5|


Moving into something a little more recent now, the OST to Jormungand has a real nice electronic slant to it in parts. I'm saving some of the more housey numbers for another day, so instead have this slightly out-of-place downtempo trip-hop esque number from it. The flute(?) running alongside throughout is giving me serious Weekend World era E-Z Rollers vibes and I sure ain't complaining about that.

Iwasaki Taku - Alligator [click to download] |HTML5|


And finally, another slight oddity from the Trigun OST. Nestled between spaghetti western Spanish guitar and all manner of other world music influences comes Philosophy In A Tea Cup, with a fairly unique blend of breakbeat and piano that's pretty far from my usual comparison of Omni Trio. I want to say there's something distinctly Japanese about it's stylings but then again like last time I mentioned this tune I feel like it would be just as much at home on an early Ninja Tune comp too.

Tsuneo Imahori - Philosophy In A Tea Cup [click to download] |HTML5|


-Claude Van Foxbat

Tuesday, 25 July 2017

Poltergeist

In the midst of my healing process, I was sent yet another new piece from Bothan. I explained the sitch and told him I'd post it as soon as I healed a bit. Well here we are. So let's not beat around the bush and get to the meat of the thing shall we? Here's a little slice of October in July for you with the Haunted EP



We open with the suitably spooky title track Haunted, a short little piece that had me wondering for a while whether it had a really subtle sample of The Specials' Ghost Town in it. Still, the suitably ghostly organ-esque opening is a treat, and in keeping with the series of small instrumentals we've seen so far from Bothan.

Speaking of in keeping, the shelf wobbling sound of tunes such as Surface Bends is still here, giving my walls a good old dusting off is Gauntlet. It's crying out for some lyrical accompaniment I reckon, which I suppose is the intention and high praise for any producer out there.

The final tune and highlight for me, Clouded. It had me from the get go, as you all know I'm a real sucker for anything with a smooth sound and the intro has it in spades. That is until after turning it up to get an earful I was almost blown out of my chair. I'm fairly certain it's a crime to have a bassline that deep up against an intro like that. Instrumentation is sparse throughout but it really works in this case, I'm a strong believer in ending releases on a downtempo note, and this ticks that box and then some.

So that about wraps the whole thing up, this EP is also on Spotify for your alternate streaming needs, and if you're looking to throw a couple of quid Bothan's way, you can pick up the EP on Beatport, or iTunes too. Should be back to fairly normal sched as of now, I'll catch y'all soon!


-Claude Van Foxbat

Monday, 10 July 2017

A Pod For You: Episode 4

As promised: the latest full length installment of the ilictronix podcast thing that me and Adam do. Not going to be typing a lot as mentioned previously, but you can still expect a tracklist after the player.

We're branching out in terms of topics, and I'd like to take this opportunity to say that us here at ilictronix want the show and site to be welcoming to all. We joke about mispronouncing things and offending the corresponding nationalities a bit in this episode but I want you all to know; if we ever step on anyone's toes, or phrase something poorly or otherwise offend a group of people please do not hesitate to let me or Adam know ASAP and we'll do our best to rectify things. Electronic music is for everyone, and we strongly believe in that here, but we're only human and may make mistakes sometimes! Anyway, onto the show:



Opening:
Gnork – No Gravity

Claude’s picks:
Misstress Barbara – I'm Running
DMX Krew - Get With You
Erlend Øye - Ghost Trains
Ford & Lopatin - Too Much MIDI (Alan Braxe Bonus Remix)

Adam’s Picks
Kamixlo – Paleta
Force Mass Motion - Explosion
Cybonix - Make This Party Live
24 Hour Experience - Take Me Up To Bed (Filthy Dub)
Above The Clouds – Sunshine Productions (DJ Vibes & Wishdokta Remix)

Outro:
Casino Versus Japan - Local Forecast


And while I remember, I'm trying to cover things I say I'll link to Adam or co, and actually include them in the show notes, so: The Erlend Øye cover of the smiths can be found here, the songs being sampled Adam talks about are: Lotic - Heterocetera and the original source for both is: Dr. Baker - Kaos (1989)