Sunday, 22 May 2016

One For The Road

Robert Filliou - Main D'artiste (1967)

Had a couple things lined up for another post but they fell through unfort, so instead I've cobbled together an alternte list real quick. I've been trying ot keep things pretty mellow as of late and that is definitely going to reflect here. Take number one; one of my all time favourites from Seefeel, dare I say I actually like this mix more than the original.

Seefeel - Charlotte's Mouth (Avant Garde Mix) [click to download] |HTML5|

Plaid occasionally hits a nice middle ground with that type of sound too, granted their breed of IDM isn't as aggressive as say Squarepusher or the like, but even compared to their own output Ralome is deliciously smooth. Easily one of the standouts from Rest Proof Clockwork.

Plaid - Ralome [click to download] |HTML5|


And finally yet another piece of Corenlius' soundtrack for Ghost In The Shell Arise. I've said before that the OST is by far and away the most electronic of all the GITS incarnations (which is a little surprising considering how many and how long it's been), it fits incredibly well. Take this ambient piece with bonus AFX reference that'd be right at home in an OPN mix or the like.

Cornelius - Surfin' On Mind Waves [click to download] |HTML5|

-Claude Van Foxbat

Thursday, 19 May 2016

Always Returning

You may have noticed it's been a lil' quiet on the Celadon City front for a while. I can't blame the guy after the album release and finals season, and all but there's been a gap in my schedule for that special brand of lush electronic.



Thankfully, I don't have to worry about that no more, CC is back with more happy sounds for ye,and just in time for the dawn of summer. it's certainly nice to have him back, I could do without the tease at the end of the soundcloud description though!

-Claude Van Foxbat

Monday, 16 May 2016

Slightly Perturbed

Oh boy was I ever excited to see this one in my inbox. It should come as no surprise to any regulars I love me some cyberpunk Sci-Fi and some Hotline Miami synthwavy goodness, and do I have a treat for you if you also dig that kind of thing. Let's go.

Click here for uncensored


Now, if that artwork didn't tip you off, Perturbator is one of the big names of the scene I see a lot, alongside say Carpenter Brut and Lazerhawk, there's a whole lot of retro influence drawn from, mainly 80's anime and seedy occult slasher flicks. It's with some slight shame I admit I haven't kept up with 'Bator's actual releases so much, but like many a great cyberpunk inspired musician before him there's a glut of world-building and story behind the LP which I will put up now:
"The album continues in the same story thread as the artist's previous works, taking place 24 years after the finale of “Dangerous Days.” Focus shifts from the world of Nocturne City into the future alleys of Tokyo, after the finale of the War Against Machines."
And with that, lets begin. From the get go it's not hard to see why the devs of Hotline Miami picked up on it, from all I've heard that slightly menacing off kilter sound has been perfected. As is to be expected from a tune with a title like this.

Perturbator - Weapons For Children |HTML5|


It's not always instantaneous release of Synthwave violence though, one of the strengths of Perturbator I've come to know is that the composition of the tracks to achieve a certain atmosphere is top notch. Thankfully it's not long before The Uncanny Valley gives us a stellar example of both these. Keep an eye out for the inevitable AMVs of this one in the near future.

Perturbator - Death Squad |HTML5|


I've always liked the more downbeat pieces on offer too, and this album features probably my favourite of them all so far. There's certainly a comparison to be made between the sound of this one and Vapourwave, but that was going to be a given seeing as they both derive a lot of inspiration from 80's anime. Still, it feels very authentic, I don't think it'd sound too out of place coming out of a Sega CD game (specifically Snatcher).

Perturbator - Femme Fatale (Feat. Highway Superstar) |HTML5|


And finally the album's title track, one final synth filled swan song to see it out. As much as it's sounds cliché I definitely think there's a strong cinematic element to the LP as a whole and not just because of the cited influences from say Akira and Ghost In The Shell, even this one feels like ti was structured to accompany a finale into credits roll, complete with a fade at the end for a teaser for the next one to show.

Perturbator - The Uncanny Valley |HTML5|


Once again I sheepishly apologise for not having properly dug into Perturbator's back-catalogue before, but I'm sure if I posted my backlog of things I have to pick up you'd understand! Regardless, I highly recommend checking Perturbator and the like out if this kinda sound is scratching an itch for you, there's plenty out there to get stuck into you can start over at /r/outrun or even better...

Find more Perturbator on:
Bandcamp
Soundcloud
Youtube
Twitter

-Claude Van Foxbat

Friday, 13 May 2016

Return Of The Soundcloud Roundup

Been a long time since I pulled one of these, and now that Soundcloud only offers previews for a lot of stuff you might see a lot more of it in future. Regardless here's one from my feed that caught my ear, there's always a gap in my library for more A:xus-esque hosue numbers that are home to some slightly downbeat lyrical content despite the upbeat backing.



It should be no secret by now that I'm a sucker for instrumental hip hop stuff and slow jams. Chalk it up to early exposure to Adult Swim, which is actually relevant here with the cover being The Big O and all. Regardless, this one ticks all my boxes for that, with maybe just a smidgen of bonus Vapourwave in there too.



Me and Adam were talking a while back about how HudMo is never going to bless us with another LP like Butter, and that got me a lil nostalgic for that ever changing genre that wavers between ridiculous names like aquacrunk and #beats. Lucky there's enough floating around to scratch that itch a little, my mind would have melted had FlyLo been putting samples like this in Los Angeles.



-Cluade Van Foxbat