Monday, 28 August 2017

On The Fence

A short one this time, got side tracked re-fencing and re-painting my garden and am now sticky, itchy and a few other -y adjectives. Which gave me time to catch up on the latest I Don't Do Crowds thingy he sent me, I was quite interested to hear some non-remix work from 'em after the last promising contribution. I actually held onto it for a little while, I got it while I was in the pub a few days ago but I'm glad I waited, there's nothing like some of these end of summer vibes to go with the post-fencework shower beer (seriously, try it.), an atmosphere that would be sorely wasted in a bar.



And finally, another treat from my huge ever growing Spotify 'To Pickup' list. this one came a bit out of leftfield, the smooth intro had me going for a lil while (and tossing up in my mind whether this was a Flashbulb or Ochre piece). I popped down into the kitchen to fix another brew and when I came back was greeted by a floor rattling bass wave. I'm quite enjoying Apparat's IDM side at the mo, it's been a while since I've gone down that rabbit hole so expect more in the near future.



-Claude Van Foxbat

Sunday, 20 August 2017

Back On (Sound)Cloud 9

My usual soundcloud ventures dried up a while ago, simply because my feed was getting pretty scarce, an most artists I went looking for had all the premium shenanigans I don't like to faff with. Now it seems like SC is going to be with us for a little while longer (hopefully) I thought I'd take another crack at it for old times sake.





This one comes to us from Twitter (the submissions system is still a mess I'm afraid, so in the meantime I've opened my DMs), I was a little hesitant at first because sampling/reworking of real old tunes can be a little bit pants in hindsight, see that obnoxious dubstep treatment of The Marvelettes I posted circa 2010 or so. This ain't old blue eyes though for one, and for two does a decent job of working with the production unlike The Marvelettes example. A little more mainstream than my usual affair, but I dig it, has a slight Rustie feel to it methinks and that main lead is pretty bombastic too. I do think that the change up in sound at 1:45 doesn't really work, the combination of tempo and just overall atmosphere change just feels too extreme, going from this summery upbeat style to some slightly sinister bass feels like two completely different songs. It does only come up twice briefly throughout though so it doesn't drag the experience too much. Keep an eye out for this one coming up on your local indie electronic youtube channel twinned with some Evangelion footage and some AfterEffects VHS & CRT presets overlaid.



With that in mind I thought I'd pop back to see what Macross 82-99'd been up to, last I saw was a tweet of their soundcloud stats when it was still in fairly uncertain times. Well good news is that the platform hasn't been abandoned, and there's a couple new pieces of that unique house/future funk and the like to get stuck into. Artists like Macross are the reason why I wanna see SoundCloud stick around, I wouldn't have ever come across tunes like this these, and Macross has gone on to carve a nice little niche in my library. So here's to many more years of digital crate digging on the cloud, I'll be sure to share all I find with you.

-Claude Van Foxbat