Wednesday, 19 September 2012

Another Late Night

Actually having a schedule again has mad a big difference for me. No more am I going to bed at 3AM, and I kinda miss the late night aesthetics. But that doesn't mean I can't hit you up with some of my favourite accompaniment for the wee hours!


A bit of a wildcard this one, BoC don't often do remixes but when they do it's the same standard of quality you'll find on their LPs. Boom Bip is given the whole Campfire Headphase treatment on this one, unfortunately as good as it is, and given the sheer popularity of BoC, it is actually quite hard to come by in any quality above 192kbps so apologies in advance.



Apparat's Walls lends itself well to late night endeavours, this track in particular was especially memorable as even though I could barely hear it with the volume turned low, most of it was still perfectly listenable, especially after that cacophony of sound is released around 2 minutes in.




I've long since fallen out of the dubstep scene, but I still love the older styled stuff, especially when it comes to remixes. Like Skream's brilliant rework of La Roux's In For The Kill, this one is one of my favourite dub remixes. I haven't heard of Various before, probably because they have a really vague name, but this remix is class; chilled out vibes with smatterings of vocals from the original dropped throughout, works even better on a low volume.



Autechre made a surprise return to my collection when I checked out the Warp20 (Unheard) Compilation. I thought their techno experiments ended not long after Incunabula, but apparently not according to this unreleased gem. It shares a lot of melodic and structural qualities with Incunabula, and that album is one of my favourite examples of ambient techno so this new addition goes down a treat.



That'll be all for now, I'll be dropping more quick selections when I can, I'm trying to spice things up in terms of variety so stay tuned. Until then just have a gander at these fine music pieces.

New York, Lower East Side,
- Claude Van Foxbat

Friday, 14 September 2012

A Very Warped Epilogue: Part Three

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I don't even know how I managed to miss this one out of the main coverage, but at least I'm giving it the go-over now. Along with Richard D. James Album, this EP ranks high in my list of all time favourites by the Twin, once again, like with WIndowlicker with a lot of credit going to Chis Cunningham for his legendary video for the title track.


So what is there to be had here? well quite a lot actually, to the point where it's officially labelled as a 'mini-album' to fit within UK chart criteria for EPs (30 mins and under). It wastes no time in kicking things off with the spectacular bombardment that is the title track, which I'm sure needs no introduction, but I'll give it a go anyway. Like Windowlicker, there's not really a lot of insane beat tampering going on as you'd expect, but at the same time it's the complete opposite of Windowlicker in terms of sound. That was morelaidback and smooth, this is straight up in your face abraision.



The EP turns things 180 for the second track (frequently mislabeled as Film), introducing us to probably one of the lightest tracks outside of the Selected Ambient Works volumes that AFX has ever done. There's no introduction it just dives right in with all the elements already there, but each is just fantastically executed, that drum work and the light 'n airy keys just sound so right together.



I have an interesting story with this one, whenever I heard it I always thought "that's a neat idea" and then skipped it, thinking the entire track was based around the titular bouncing ball-esque sounds. It wasn't until I listened to a live bootleg that I heard the track in full, and that break at around 1:30 just absolutely blindsided me. On the strength of that I gave it a full listen and the rest of it is just quality, I'm still not a huge fan of that intro though.




Something unusual for an AFX EP next, it's a reworking of To Cure A Weakling Child from Richard D. James Album by RDJ himself. I have a similar taste for it as Bucephalus Bouncing Ball, the intro is OK, but the break and everything after 1:20 is downright spectacular, thanks to that updated rendition of the original's melody.



And finally, playing us out is another chilled number in the vein of Flim. Unlike its earlier counterpart, most of IZ-US is based around one melody rather than the back and forth exploration on Flim, but it's short enough and structured nicely so that it works. The ending of it, and with it the EP is a bit abrupt, but like a lot of AFX material released around this time, it's not about flashy endings.



Of course, I couldn't just have all that build up and then leave you hanging without the video could I? no, unlike the EP itself, we're going out with a bang with the infamous visual compliment to the main mix of Come To Daddy. Enjoy.


Stop Making That Big Face!,
-Claude Van Foxbat

Thursday, 6 September 2012

You Can Ignore My Techno?

So I've posted some Orbital tracks a couple times over the past few weeks, and I've noticed a curious trend: Every time I've posted a track of theirs, our lovely Hype Machine page that's meant to archive everything we post for the fine people there to listen to, has completely missed them out every time! So today I'm going to do a little experiment, to see whether the old Hype Machine just doesn't like Orbital.


Starting much like every week does with Monday as we trek through Orbital's classic Brown Album. Now I love me some contrasts in my tunes, and they're on this album in spades; opening with that organ-esque synth before the unrelenting rolling beats come in is just fantastic, especially when it all falls away for that magnificent bass filled break at around 1:20.



Similarly, remind is another favourite of mine, as just like in Monday, you're greeted by a lovely 'n light intro, but it's not long until that fades, leaving you with straight up techno. The lightness returns in a break around the three and a half minute mark, but doesn't last long before it's swept away among that sea of spectacular squelchy 303s.




Bringing things back a little bit to their debut, the Green Album, we have a few more prime examples, my favourite two being the live tracks packed in. The first, Chime is an Orbital staple I'm sure I don't need to introduce. True to it's reputation, it is pretty sweet indeed, there's some fine basslines throughout and of course the usual 303 affair we've come to expect. Classic.



Immediately after you're treated to another slice of techno goodness, and the mixing together of the two tracks is pretty special. What follows is a slightly more laid back approach to the usual tech sounds. That is until about 2 minutes in when some more drums come into the mix as does a crunchy guitar-esque synth. but then it's gone just as soon as it appeared, and we're back to laidback territory, they act almost as extended breaks because they just make that eventual explosion of sound that much sweeter.



Right, let's see if the HM picks any of that up! I've given them plenty of opportunities in this one, so I'm looking forward to what gets archived, keep F5ing that page for any signs of Orbital.

Sine Off,
- Claude Van Foxbat

Wednesday, 5 September 2012

[PREVIEW] The New ilictronix.com

Hey guys!

I've been slaving away for the past two weeks to rewrite ilictronix from scratch, and I'm now at the point where I can have you guys test it out! Nothing is final, and I'm not sure how I'm going to go about the migration process.

Click here to check it out.

If you're curious why I've decided to rewrite ilictronix, there are many reasons (and this calls for a separate conversation). I'll keep you all posted, but be sure to check out the new grounds. I think you'll like it :)

All the best, thanks for being awesome,
Jordan

PS - If you're a nerd like me, ilictronix is totally open source. Check it out here.