Now we come to a whole bunch of stuff I picked up long after I covered them in the main series. There's some real gold stuff here; the beginnings of what would be the 'golden age of Warp. Except this time we're going to start with a release that wasn't on Warp, but leads nicely into the history of the Label itself.
Twoism is the LP that brought BoC to the attention of Warp, and they were signed on shortly thereafter. Despite this they released one final EP on their previous label; Skam Records. I snagged a copy from Discogs, it comes in a paper-thin card case, with only the words "Boards Of Canada" on it, as you can see above. However the picture doesn't let you see the embossed braille on the case (which also just says Boards Of Canada), foreshadowing future weirdness like on the Geoggaddi vinyl. Like Twoism, it serves as a precursor to the trademark BoC sound, with bits of more techno-styled tracks inbetween, give it a listen.
Boards Of Canada - Nlogax [click to download] |HTML5|
After this EP, the Boards also released an album on their own label Music70, Boc Maxima, but all 50 copies were only distributed to family and friends. However like the Old Tunes tapes it isn't that hard to find online, and a lot of the songs appear on other, later BoC releases, namely Music Has The Right To Children. But there are a few that are exclusive to this release, including one that is among of my favourites of theirs. Whitewater starts off fairly unassuming but at around a minute in, the main melody hits and in that moment it became an instant favourite.
Boards Of Canada - Whitewater [click to download] |HTML5|
Another exclusive that errs more on the techno side of things is Red Moss, that opening sting really shows off how much old TV and the National Film Board Of Canada (where they took their namesake from) influenced them. However it doesn't stay that way for long, and it soon becomes a techno driven number in the vein of June 9th from the Hi Scores EP, cascading beats and all.
Boards Of Canada - Red Moss [click to download] |HTML5|
Similarly, fellow Warp mainstay Squarepusher dropped his debut on AFX's Rephlex label. It's an eclectic mix of atmospheres, and is a perfect introduction to all things Squarepusher: the breaks, the bass guitar and the genre hopping are all present here. I'd even go as far to say that the opening track from it wouldn't sound too out of place on one of his later releases such as Hello Eveything or Just A Souvenir.
Squarepusher - Squarepusher Theme [click to download] |HTML5|
The trend I noted back in the Go Plastic entry for the 'pusher to put an ambient piece around halfway through his LPs seems to have started here. This track has the honour of being the first I heard from this album,and for dethroning both Tommib and Tommib Help Buss as my favourite ambient Squarepusher tracks. The progression is just perfect.
Squarepusher - Goodnight Jade [click to download] |HTML5|
There's even a little bit of hip hop/trip hop stuff on Feed Me Weird Things, of the two I much prefer the darker sounding U.F.O's Over Leytonstone (in part due to that title), it's got an atmosphere that reminds me a little of cuts from Massive Attck's Mezzanine, there is a lot of variation throughout as sounds come and go into the mix, and even a little bit of a cheeky 303 at about 3:30.
Squarepusher - U.F.O.'s Over Leytonstone [click to download] |HTML5|
I'm afraid I'm going to have to stop myself here, rest assured I have another part planned, I was going to put it on the end of this one, but it's big enough as it is. So instead, join me next time for what I'm affectionately calling the Aphex Twin blowout.
One Very Important Thought,
-Claude Van Foxbat