Sunday, 22 April 2018

Lost Angels

Jean-Michel Basquiat - The Dingoes That Park Their Brains with their Gum (1988)




Earlier this week I was re-reading my posts about the importance of archiving music (and art in general really), and I was inspired to take that mantle up once again. Revisiting the massive pile of rare and obscure FlyLo I picked up at the start of this year. Among that pile is a compilation that was put together for the LA Times simply called LA Times. It's full of otherwise unreleased tunes and other quality pieces from around the (fittingly enough) Los Angeles era. I listened to Los Angeles to death and I thought I was sick of it. And then tunes like Momma Dingo roll up and remind me why I played it so much in the first place, I'm a sucker for that rough round the edges feel of FlyLo's sound around this time.

Flying Lotus - Momma Dingo [click to download] |HTML5|


Sticking with the them, there's also Glendale Galleria from '09, released on Tectonic and sharing a B-Side with Joker, it's quite a bit different from FlyLo's usual output. I'd call it a one-off, but it's actually got a lot in common with Crosswerved from Ideas+Drfats+Loops in that it's basically FlyLo doing a garage-come-dubstep tune. There's flavours of Burial on here, something that holds even more true if you check out the 'original version' on the LA Times compilation I mentioned above that's even more Buial-esque. The final outro is gorgeous and I wish it had a little more time dedicated to it but otherwise a solid addition to the catalogue.

Flying Lotus - Glendale Galleria [click to download] |HTML5|


And finally because I've made it a mission to rid the world of the curse of the Japanese Bonus Track, and because frankly it's a fantastic album closer, here is The Things You Left from Until The Quiet Comes. I will always adore that bass, and I knew it since my ears first heard it that that would be the case. Deliciously smooth, short and sweet, a perfect sound to go out on.

Flying Lotus - The Things You Left [click to download] |HTML5|


-Claude Van Foxbat

Sunday, 15 April 2018

Getting Technical

Louisa Matthiasdottir - Fólk á göngu




Over the past couple of days I feel like I've come around to being my old self again. I found more art like the stuff I used to make (and I might return to some day) After a long period of being really into acoustic downtempo and (shock horror) guitar based music, I've come back around to diggin' techy sounding things once again. Starting off with some of my favourite purveyors of Drum & Bass, Commix. I loved Call To Mind, it's chock full of thick basslines and all around good stuff. How You Gonna Feel is a rare example of Commix with (non-sampled) vocals. Their choice was a little unconventional when it comes to Drum & Bass vocal accompaniments but it compliments their production very well indeed. Also serves once again a kick up my arse to finally pick up that compilation album they put out a few years back.

Commix - How You Gonna Feel [click to download] |HTML5|


Moving from one to the other here with a fairy recent instrumental addition to my collection. Not that there's anything wrong with Yanagi Nagi's vocal stylings mind you, but this instrumental is equally gorgeous on it's own, and the instrumental lets it be heard in full. It's very clean sounding and a touch on the dreamy side to boot, I thought the piano was a little cliché at first but it has grown on me. It's fast becoming one of my go-to tunes to have on while I do things, but it's equally as enjoyable if you give it your full attention.

Yanagi Nagi - Shinjitsu no Hane (Instrumental) [click to download] |HTML5|


And finally, another techno cut that I missed out last time. That intro had my interest from the word go, it's certainly a unique sound if nothing else, and as it went on and added more and more elements my interest bar only went up. When the entire tune comes together it's a fantastic listen, there's even some reversed(?) vocals throughout just to chalk another mark on the uniqueness scale, the end result is the exact opposite of the minimal tunes I was griping over last week. My only issue with this one would be that the title might be more at home on some French House revival track, but the song itself more than makes up for that.

Dave Angel - Latin Lover [click to download] |HTML5|


-Claude Van Foxbat

Sunday, 8 April 2018

A Mixed Bag

John Cage - Fontana Mix (Dark Grey) (1981)


Not gonna lie, the time to post snuck up on me this time. But luckily I'v been pretty good about keeping a steady source of new tunes coming in. Starting off with something that I was a little lacking in as of late with some good old fashioned Techno. I can be a bit picky when it comes to techno, especially when it comes to the compilation this is from there's a lot of crossover with minimal which ain't really for me. But there's some good stuff on here too, Floating Point wasted no time getting it's Underground Resistance / Galaxy 2 Galaxy on and with that had pretty much sealed the deal from the get go.

Bryan Zentz - Floating Point [click to download] |HTML5|


Flipping it 180°, earlier this week Jean Sean dropped my a line with his latest. Or at least, eventually did after some email tomfoolery which is the story of my life. It came through a couple months early unfortunately, as the morning I got it in my inbox it was snowing again here in the UK, definitely one to dig out again come July. Saying again what I said over DMs, that sax in the last quarter is lush, it's been a logn time since I've heard any sax not being used for a cheesy chromeo-esque retro feel or straight up old school MIDI sax samples so it was doubly refreshing to hear.



Been digging back into Stenchman as of late too. Despite me being officially done with dubstep for many years now, I still make an effort to keep up with Stenchman, mainly because he's always coming back with a creative spin on things even if they are often quite crudely titled. Stench has a history of incorporating folky elements into his work, which you can hear a little bit of here in a tune from his house/garage alais Philestine. I really dig the sound of it overall, it's got this slightly rough feel that is a constant in all of Stenchman's output. Similarly, I really like how you can still hear bits of the man's dubstep work in Philestine tunes, especially on the basslines here. My only complaint is that the final fade-out is a little overdrawn but that's small potatoes really.

Philestine - Scruffy Little Tyke [click to download] |HTML5|


-Claude Van Foxbat

Sunday, 1 April 2018

Can I Get A Re-do

Eyvind Earle - Through The Fog (1997)


Well I beefed it last time with the code for Ben Prunty's tune. You'd with so many years blogging under my belt I'd be beyond simple html goofs but nope. Anyway, this gave me a good excuse to post more of his work this week. Here's another piece of the FTL soundtrack, which despite being a battle theme is quite pretty. Though I suppose that goes for most of FTL's OST when it's not competing with missile launches, lasers and warning sirens for sound space. The build up is fantastic, and you get to hear little bit of the musical theme reincorporation Ben mentioned in my last post towards the end.

Ben Prunty - Cosmos (Battle) [click to download] |HTML5|


From one Ben to another (well, Benn in this case) with The Flashbulb. I did some more listening after last week's post and put the brutally depressingly titled Soundtrack To A Vacant Life back in rotation. It's a hefty album at 31 tracks but I think it's a perfect crash course in all things Flashbulb, I might be slightly biased because it was my introduction but hey. Here's the first tune that grabbed me from it, andthe first I ever heard of his work, the absolutely gorgeous Warm Hands In Cold Fog.

The Flashbulb - Warm Hands In Cold Fog [click to download] |HTML5|


And finally a revisit to sci-fi, with a surprisingly trip-hoppy addition from Vangelis to the Blade Runner OST. It doesn't appear in the actual film, Vangelis put it and a whole bunch of songs together for the film's 25th anniversary, which explains the style difference. I think t still fits very well tough and I absolutely adore the sprinkling of spoken word throughout, it's like being a phreaker tapped into a whole bunch of phone lines at once and it doesn't get more cyberpunk than that.

Vangelis - BR Downtown [click to download] |HTML5|


-Claude Van Foxbat