Monday 28 March 2022

Electronic Immersion

I'm batting around ideas for a new mixtape type deal, I settled on a theme pretty early on but it's gotten a little broader with time. Like most of my mixtape experiments it's mainly going to be tracks that I can't find legit streams for, but there are plenty of others that are in the running that might make it, but they also might not. This post is half to help me make my mind up and half to put the tracks out there anyway on the off chance they don't make it. Let's go.
Janet Fish - Five Tall Glasses, Afternoon (1975)

Some Dopplereffekt to start with, fine purveyors of hi-tech electronics for many a year now. The cover for Cellular Automata will likely look a little odd on your screen - the close knit lines of the cover will make Moiré patterns (though on preview it looks like the tiny version of the cover on the Bandcamp embed has lost the effect, head to the main Bandcamp page to see the effect!). As for the record itself, it's more Dopplereffekt - I don't mean that to sound flippant or anything, they've totally honed their sound by this point: cold and clinical electro. To the surprise of no one, the more ambient cuts are my favourites - technological feasts like Ulams Spiral and Exponential Decay. Isotropy probably tops the list though, I knew from the lush sweeping intro that it was going to be - gorgeous stuff.



Bit of a left turn with my next choice, it is one that definitely isn't going to make the cut because I've already used it twice (I think) so far on other tapes. It does inform a lot of the choices I'm making with the sound direction of the upcoming one - I have a deep love for this very specific kind of early 00's electronic, that sort of downtempo style that I used to label 'Coffee Shop Electronic'. The Tusen Takk Rework of Drop is a surprisingly electronic turn from the usually Indie Kings Of Convenience, but then again this is just before Erlend Øye released his first solo effort which was one big collaboration with various electronic musicians so there is probably some cross contamination there. Very much in that Röyksopp vein (again, no surprise there given Øye's collaboration with them on their first album Melody A.M.), Øye's vocal really suits this kind of vibe and I wish he'd explored that electronic sound of his debut album a little bit more.



In keeping with the theme once again, a little bit of short and sweet from Gimmik. One of my more recent finds thanks to a couple of old experimental compilations, Gimmik's stuff is often very lovely - I've picked up a few album's worth but not actually mentioned too much of it. (Back To Basics) was my first proper full length listen and is a greta jumping in point. If, like me, you also enjoy the Aphex Twin sound circa Richard D. James album then this album will very much appeal to you. Really, the whole album is a sort of amalgamation of all things IDM, there are shades of AFX in there, a touch of Flashbub perhaps, and on tunes like L'Appel Des Cors and my choice for today it's much closer to the work μ-Ziq was putting out in the late 90's. I could live in this little microcosm of sound forever, it's very beautiful but fleeting.



And that'll do it for this slightly eclectic selection for today, of the three I'd say that the Gimmik tune is the most likely to appear in this eventual mix if I get around to making it - I have some free time coming up so time will tell. At any rate, I hope you've enjoyed these selections, I'll be back soon enough with more, Bandcamp Friday is looming as well so look forward to that! Until then, as always, stay safe and enjoy the music.

-CVF

No comments: