Sunday 13 May 2018

Reunions 2

A busy end to the week means I'm glad I shifted the post schedules to Sundays. After a slightly messy Friday of setting up exhibitions, meeting coworkers and friends, making a couple of new ones on the way and then grossly underestimating how quickly I could hoof it to the train station and exactly how long I'd been out, Saturday was a complete write off. Still, I had the foresight to prepare some stuff earlier in the week so here I am with the usual selections.

Billy Childish - Reunion Owl (2011)

I got real into the Adult Swim singles project, slightly disappointing that the past few years haven't had a download of all the tunes, so I took the opportunity to revisit the previous years. 2014's starts off incredibly strong, with a 7 minute disco infused offering from Giorgio Moroder himself, the opening synths immediately recalling The Chase, one of if not his mot famous tune. There's some gorgeous twinkling arpeggios laid on later that have more than a passing resemblance to Daft Punk's Tron: Legacy OST, though it's probably more the other way around given how long he's been in the game. It's interesting to hear Giorgio play with his disco roots with an updated sound, I remember thinking when I heard he'd be producing again that he'd take a Chromeo style slant to it. It's certainly not a bad thing, f anything it's refreshing to hear, and I'm just happy that one of electronic music's allstars is still around.

Track 2 from 2014 next, at the time I was vaguely familiar with Machinedrum's work from soundtracks and the like, It's unfortunately yet another thing that's been tossed on my 'to pickup' pile that grows more than it shrinks. But I can talk about the tune itself! It lets you know from the get go with those delightfully retro piano stabs that this is quite heavily garage influenced (that's UK Garage as in house, not USA Garage as in rock). As a mid 90's baby who grew up in the north of England I have a real soft spot for the sound, it carries with it echoes of summers past, and hell a garage/house style tune is partially responsible for getting me this writing gig in the first place way back when. I do think that the repetitive samples are played up a little too much here, much more recently I think Luke Vibert did a better job on Luke Vibert Presents UK Garave Vol.1, but I'll happily take them both.

My brief dip into the world of J Pop has brought me to Aimer. The EP this is from doesn't have the original version for the song for me to compare to, but I can tell you that this remix is super pretty indeed. In fact I think it comes out not feeling cold at all despite it's title, I do think it's a little let down in terms of structure but then again it is in essence a pop record so that's perhaps to be expected, and that only really sets in one you've looped it 3 or so times like I have when writing this post. Still, more than happy to have extra ammo for playlists when (and if) summer ever starts to roll around. Note the spotify player may not work in your country, if so see this link.

-Claude Van Foxbat

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