Showing posts with label Arca. Show all posts
Showing posts with label Arca. Show all posts

Wednesday, 27 March 2019

Ilictronix Podcast: Button Mashin' D&B, Breakup Playlists Continued

"Claude brings some Video Game DnB. Adam goes through another breakup and continues his breakup playlist "cuffing season edition" "

We are live for this week! I one again revist the world of videogames, with an initially unintentional (but then I made it so) focus on the world of Drum & Bass and all it's flavours. We cover a whole bunch of ground in this episode; from old school breakbeat to liquid funk and even a little bit of breakcore in there too. I couldn't have contrasted more with Adam's choices this week but more on that as we get to it.

I appreciate that these episodes blur the lines with what the show's about, and that it might not be for everyone given the subject matter, but as mentioned last time it came up games played an integral part in my electronic music journey and continue to do so to this day! I also tried to keep it fairly varied in terms of the audio, even though we're mostly dealing with Drum & Bass this week, I tried to bring a selection of flavours from a selction of sources; we have fan works, independent works, and dedicated composer's work too. Though saying that my intro choice for this week breaks that trend, as teased (off-mic) last week I have recently picked up a bunch of quite obviously Rustie and Hudson Mohawke inspired stuff I am still absolutely in love with. Major shout-outs to OCRemix this week, with two of the tracks for this week coming from albums hosted on their site (of which you can find links to in the show notes!).

Adam's choices for this week are very much considered, and once again I very much appreciate having him on the podcast (and as well for editing and uploading it of course). We touch on many things ABOUT music in his section of the show, which is something we've talked about a little in previous episodes where we discussed how we listen and why (or why we think) we do that. And honestly I really enjoyed it, part of what makes ilictronix what it is is not just the electronic music component, but the passion as well, and you can hear as Adam talks us through his choices this week that each one has been carefully considered and has its place in the listing. Perhaps a little bit deep for a show where we mainly just talk tunes in a casual fashion but I feel its an important aspect of the musical experience, and I definitely would rather have it this way than us just talking about dancefloor bangers back-to-back (even if we do from time to time!). Tracklist and the show notes below as per usual!

Tracklist:
Intro:Louis Futon - Shoulda Known (GANZ Remix)


Claude’s picks:
Rom Di Prisco - Quantum Singularity
Flexstyle - Unstoppable (Critical Hit!)
0edit - Impetus
Toby Fox - Your Best Nightmare
Zircon & Jillian Aversa - The Search For Ambrosia (NYC Streets)


Adam’s Picks
Arca - Brokeup
Calibre - Addict
Other People Place - You Said You Want Me
Kraftwerk - Computer Love
Basic Channel - Lyot Remix
Outro:
Thom Yorke - Truth Ray


SHOW NOTES:
Shoutouts once again to OCRemix for doing what they do and providing a ridiculous number of albums and remixes over on their website. Two tracks I talked about this week are taken from their albums, the first being Flexstyle's Unstoppable (Critical Hit!) which you can find on the album ARMed And DANGerous, which is available for free here!. The second is from the Deus Ex themed album I mentioned, it's my favouirte of the OCRemix albums I have for a variety of reasons, all the tunes are excellent for a start but it also includes several different cover designs so you can customise it further, even printing it out if you wanted to make a jewel case out of it. The second track I talk about is Zircon & Jillian Aversa's The Search For Ambrosia (NYC Streets) which is available on the album Sonic Augmentation, which is also available for free here!

I do own it through Steam, but if you have no desire to pick up the game, or just want to throw a bit of money his way, you can find the Undertale Soundtrack on Toby Fox's bandcamp here. I would reccomend giving it a look, aside from that breakcore example I played there are some really good tunes on there, and some really beautiful chiptune-style pieces too.

Finally, Ed Harrison's new 0edit bandcamp is here, the Neotokyo soundtrack is split into two albums; NSF and GSDF, I can wholeheartedly recommend both. I have yet to check out his other solo release but I most definitely should given how I've fallen back in love with the Neotokyo stuff.



Sunday, 25 January 2015

All About the Bass

One of the biggest things I'm ashamed of is that I haven't been paying close attention to the imprint Night Slugs. I've unfortunately only heard select tracks from label head DJ Bok Bok and the stellar debut album from Kelela. I really need to dive deeper because everything I've heard from this crew has been unbelievable. Take for example this stellar cut from Jam City. The track Aqua  Box from the Waterworx EP is a great introduction to the Night Slugs sound. Huge basslines and distant sirens create a hazy and dense atmosphere.



One of the most curious signings recently was Chicago footwork artist DJ Slugo being signed to Nicolas Jaar's Other People imprint. We discussed the imprint before here on ilictronix and reading that makes this signing even more curious. Where much of Other People was Microhouse, DJ Slugo is all about maximalism. More really is more on his Ghetto House bass behemoths. Taking the best elements of Booty Bass, Detroit Juke and footwork, track I Ain't Yo Baby Daddy was heavy on my rotation this week. An infectious vocal sample *I Ain't Yo Baby Daddy* is somehow both dizzying and dazzling.



Remember when Evian Christ wasn't working with Kanye or making huge trap bangers? Yeah me either until I relistened to his Kings and Them mixtape. Lean sounding MYD is a bonafide hustlers anthem. Even though fuzzy reverb soaked R&B is becoming a parody of itself its nice to hear songs like this that remind you why this style grew so fast in the first place.


Next we have a somewhat rare mix from our good friend ARCA. His work on the new Bjork album and the Sheep Mix he presented at this years HBA fashion show sets this promising producer up for a unforgettable year. This is not the first time he has worked with the framed streetware company though. Back in 2012 he did a mix with Fader for MOMA PS1 and remixed some tracks on a Hood By Air mixtape. This whole mix is stellar but the moneyshot is the remix of Ocean Gang, which features a syrupy chopped sample of Beamer, Benz, or Bently. 

Thursday, 11 December 2014

A look back at 2014

As we close out 2014 lets take a look back at some of the best and worst albums of the year and make predictions about what is in store for '15. While it was a dry summer with limited releases it wasn't until autumn hit where shit hit the fan and we had great release after great release. Its easy to think that this year was weak overall especially compared to last year, but we did get some classic albums that we all will be listening to for a long time. While Rap suffered the worst, we did see the huge rise of Future R&B, and when Top 40 had a rough year we did see the takeover of PC Music. Its hard to complain when we got albums from Flying Lotus, AFX and Thom Yorke...



This list is in no particular order, I loved these albums equally.


RatKing – So It Goes
Other than run the Jewels 2 this was one of the strongest rap releases this year. With killer features from King Krule and Wavy Spice, this trio from the New York borough of Harlem debuted with a modern take on gritty east coast boom bap rap. Its hard not to be hooked after hearing the single Canal, with a killer sample, it sounds so New York you can almost smell the rotting trash on the sidewalk.
Clark – Self Titled
You have to feel bad sometimes for Clark. One of the biggest slept on artists from Warp, Clark makes music that’s incredible experimental yet unbelievably cinematic. While a lot of albums disappointed this year, Clark delivered one of the best albums since his magnum opus “Body Riddle”. Winter Linn sounds like a more mature version of his hit single Ted and Silvered Iris harkens back to Clarks work on the album “Turning Dragon” Even the track There’s a Distance In You feels like the best elements of “Totems Flare” but expanded even further. This album has been the perfect companion during brutal Chicago snow storms.

Flying Lotus – You’re Dead!
It always takes me a while to fully unpack a new Flying Lotus Records. I still am discovering new sounds on “Cosmogramma” and even “Until the Quiet Comes”. “You’re Dead!” is a culmination of everything Steven Ellison has done to this point. It feels like a final exam and Flylo wants us to all know he has full mastery of his craft. I was nervous I was going to be disappointed with this one, news that Kendrick and Snoop were on it, I like many had flashbacks to the mistake SBTRKT and Rustie made with their albums this year. You’re Dead! meets all my expectations and more. It’s exciting to see Jazz Fusion get exposure like this and having Tundercat all over this record helps with making a dense genre like this somewhat accessible. PREDICTIONS FOR NEXT ALBUM: It won’t be a Flying Lotus record it will be a Flying Lotus and Thundercat Release and they will both have equal roles.
Thom Yorke – Tomorrows Modern Boxes 
I’m not sure why this release got so much hate. If we leave out the distribution method and make the album stand on its own its pretty solid. Focused, brief, and catchy, TMB blows his last album “The Eraser” out of the water. Anyone who follows Radiohead or Thom’s careers shouldn't be surprised on what they hear during the albums 38 minute run-time. No, this is not groundbreaking but we also cant expect revolutionary work from an artist's every release, and if your biggest complaint is that it doesn't reinvent the wheel then you need to check your privilege.
Hundred Waters – The Moon Rang Like a Bell
There is a lot to hate about this album; a synth-pop group, they are from Florida, and worst of all they are on Skrillex’s OWSLA imprint. If you are able to look past all of that (especially Florida) you will walk away smitten from this groups debut. Like Tomorrows Modern Boxes, its not revolutionary but just a solid listen start to finish. For best results listen to this one at 3am when the party is over when the world is spinning and you are lying on the ground, let front woman Nicole Miglis take all your worries away.
Arca – Xen 
Wow! This is what I call a debut! From production credits on Yeezus to helming the production of the new Bjork album, Venezuelan producer, Alejandro Ghersi has everything going for him right now. One of my favorite releases of this year, I had flashbacks to when I first heard Los Angeles, or the Richard D. James album. A strong visual aesthetic is married to his work because of his relationship with childhood friend Jesse Kanda. It could be said that together they are this generations Aphex Twin and Chris Cunningham. Completely different from his earlier EP’s Stretch 1 & 2, Arca uses his signature vocal manipulation maybe twice during the entire album. It was a risky move but proved to be successful, Arca will be one of the most in demand producers by this time next year, guaranteed.
FKA Twigs – LP1 
Move over XX, Young Turks has a new cash cow and her name is FKA Twigs. Destined to become a household name FKA Twigs had a pretty remarkable album. With production credits from Arca, Twigs’ sound is sexy, sensual, heartbreaking and atmospheric, and while the album art can be a turnoff to some, LP1 is the best PBR&B record this year. Now that she is dating Twilight star Robert Pattison, it will be interesting to see if she molds her sound into something a bit more commercial.


Death Grips – Niggas On the Moon
TOO NOIDED TO WRITE ANYTHING, THIS ALBUM GETS ME SO HYPE AND ANGRY!!! BJORK IS NOW A CERTIFIED BOSS ASS BITCH BECAUSE OF HER CONTRIBUTIONS TO THIS ABRASIVE, EXPERIMENTAL LP.
Todd Terje – It’s Album Time! 
If you can listen to this one without smiling once, something might be wrong with you. This release was cute, funky and spunky in all the right places.
Real Estate – Atlas
Jangle-Pop hasn't died yet thanks to New Jersey based band Real Estate. This one made the list because of its incredible hooks and the fact that they recorded it here in Chicago. Atlas makes you feel like lying on the beach while you watch clouds pass you by. It's the album you put on when guests are over and your trying to set a pleasant mood. It was a great follow-up to their last album Days but you get the feeling that there is no where else to go from here. *Special Award* The safest and most harmless release in 2014*
Perfect Pussy – Say Yes To Love  
Can singer Meredith Graves be insufferable, Yes. Could this band be an industry plant? Also yes. Is the name stupid, Yes Yes Yes. Even with all of the politics and negativity surrounding this noise punk band, Perfect Pussy was the shot in the arm this summer needed. In your face and ready explode at any minute Perfect Pussy had an absolutely dense debut this year. Between this release and the new Death From Above 1979 album, punk and noise had a pretty strong commercial year.
PC Music – Various
PC Music is one of the most bizarre things to happen to electronic music in a long time. What exactly is it though, Bubblegum Bass, American K-Pop or something deeper?  Coming out of seemingly nowhere PC Music releases took the underground by storm this year. It’s hard to explain to others what the appeal of this is; it’s so glossy and shinny that you can feel your brain melting. Listening to some of label head A.G. Cooks mixes you get an idea about where this bizarre scene came from. It sounds like a continuation of the sounds that the Lucky Me crew has been doing for a while. Elements of Juke, Trap and Eruotrance can all be found with each single. A killer visual aesthetic is married with the entire label and should become even more outrageous now that they have backing from XL Records. Never has there been an imprint that was more divisive out of the gate than PC Music, especially with their lead single “HEY QT”. It’s best to see this whole scene as high brow performance art.



Honorable Mentions:
Kelis – Food
Shamir – North Town
A$ap Ferg – Ferg Forever
Spoon – They Want My Soul
Alvvays – Self Titled
Mr. Twin Sister – Self Titled
Schoolboy Q – Oxymoron
Caribou – Our Love
Aphex Twin – Syro
Sia – 1000 Forms of Fear
Ought – More Than Any Other Day
Quirke – Acid Beth
OBJEKT – Flatland
Savages – Words To the Blind
Royksopp & Robin – Do It Again
Tennis – Ritual In Repeat
Parquet Courts – Content Nausea
Andy Stott – Faith In Strangers
Little Dragon – Nabuma Rubberband
Liars – Mess
Mr. Oizo – The Church
Lykke Li – I Never Learn


Things that I'm sure were great, I just didn't listen to them enough to know for sure: 
The entire sacred bones label
St. Vincent
Actress
Zhu
Angel Olsen
Sharon Van Etton
Dirty Beaches
Les Sins
Xiu Xiu


What did I hate this year:
First Aid Kit – Stay Gold
Grimes – Go
Perfume Genius – Too Bright
Rustie – Green Lantern
SBTRKT – Wonder Where We Land
Swans – To Be Kind
Sisyphus – Self Titled
U2 - Songs of Innocence
Coldplay – Ghost Stories
Ariel Pink – Pom Pom
Julian Casablancas and the Voidz – Tyranny
Mac Demarco – Salad Days
Sun Kil Moon – Benji
Lana Del Rey/Black Keys – Ultraviolence/ Turn Blue
Usher


Predictions for 2015: 
Cassettes will hit critical mass next year, thanks a lot Ariel Pink….
The return of Hardstyle, much to the dismay of every scene
Jamie XX will finally drop an album
James Blakes album will be great but sound slightly dated, especially if people get tired of the Future R&B scene
Disclosure drops a new album and it the shittiest thing since gorgon city’s debut
Rap will have a huge year with releases from Frank Ocean, Chance the Rapper and Kanye
Kanyes next album will be number 1 on every list next year
The St. Louis music scene gets adrenalin shot because of frustrated youth.
Detroit Ghettotech makes a comeback. *Fingers Crossed*
Being done with Christmas music Sufjan Stevens makes a 4 part album containing original Easter songs
Robert Pattison drops an experimental Drone album and it’s critically acclaimed
Iggy Azalea’s follow up record bombs harder than Robin Thickes’ Paula
Hudson Mohawke drops a new album and it pales in comparison to Lunice's forthcoming album
Burial gets production credits on the next Taylor Swift album.


-Adam 

Sunday, 19 October 2014

Gloomy Sundays IV: This Time It's Personal.

How was your weekend? Awesome? Fantastic? Well unfortunately just like everything else in your life it's coming to an end. So do a line of Prozac, put on your comfiest pair of slippers and wallow together, this week might be your worst yet.


Alex Colville - Horse And Train (1954)


Lets start with a whimper off Arca's new album Xen. Many of you know Arca through his production credits on Kanye's Yeezus, and FKA Twigs EP2 and LP1. His debut full length Xen is unlike anything I have ever heard and is a strong contender for AOTY. The track "Wound" has a beautiful cinematic feel to it with a soaring orchestral backbone. Once the empty and cold vocals roll in the track transcends to the next level. The lyrics are undecipherable and that's OK because the pain you're feeling is also hard to put into words.




What happens when you combine the hopelessness and trashiness of Florida with the shame of being associated with Skrillex?  Hundred Waters! Signed to Skrillex's OWSLA label, Florida natives Hundred Waters have a pretty dark brand of synth pop. Their label debut "The Moon Rang Like a Bell", was the soundtrack to countless nights of crying myself to sleep. The highlight of this amazing album is the track"Down From the Rafters". Lead vocalist Nicole Miglis has a beautiful and haunting voice that fills up whatever empty room you're in.



Oh hey look its our favorite depressed frontman Thom Yorke! His newest album Tomorrows Modern Boxes is a music lovers "quart of ice-cream after a breakup" One of the standout tracks is "Interference".





The description from Rock Genius sums this one up perfectly:

"In the song, Yorke sings about the transience of our lives, our loves, our identities. We have moments in time that seem to be so eternal, but in reality it will and does come to pass all so suddenly."


How does it feel when the lead singer from your favorite band knows your life is worthless?


Lets close out with a track from Sharon Van Ettens ultra depressing "Are We There?" This one always leaves me speechless so I wont say too much about it and spoil it for you.




I would say this is a good playlist when studying for midterms, but lets be honest you don't need to study, you are going to fail all of them.

-Adam 


I've crawled out of my dissertation den to lay down some additions of my own. When the pressure's on and you have to not fuck up at all because otherwise you've wasted three years of your life, you will not get your degree and good luck getting a job in this post-industrial landscape of Northern England it is difficult to stay peppy. So I don't. Have some existential Brian Eno to help with that.



And when you see them all, somehow managing to live it up, go out an do what your stereotypical students do and manage to write a dissertation too. You wonder if it's all in vain, spending time writing when you could be out with them. If only you lived closer to the town center and didn't have a 1 hour commute to do, perhaps it would be. Don't dwell on it though, distract yourself and sit down with a brew and read over some academia again.



You are again wracked with doubt about whether your work is good enough, or will ever be good enough. As the last render of the night's bar slowly fills to complete, you look outside and wonder if winter is getting darker every year. Shutting down your workstation, you clamber off to bed. Another early morning bedtime. The small things make it worth it, tomorrow's another day and we can do it all again.



-Claude Van Foxbat