Showing posts with label glitch. Show all posts
Showing posts with label glitch. Show all posts

Friday, 1 May 2020

Ever Expanding

Michael Sowa - Their Master's Voice


Over the past year or so, I think I might have come into more music than ever before. Which is surprising to me as there was a time in my teens when I was picking up 4+ albums a week, I've tried to get a little bit more selective over the years but the collection is always growing in one way or another. So let's have a look at some recent additions that I've been liking, starting with Console. I found this one off the heels of DMX Krew and there are definite similarities between this one and Ed from DMX's quirky, playful and ironic brand of electronic. It's a lovely time capsule back to a certain era of sound too, that time at the turn of the millennium where it looked like new wave and synthpop were going to come back (and they kinda did in Electroclash!). Surprising no one however, the main appeal here for me is that computerized vocal that you know I adore.



Part of this recent expansion has been me either looking up artists I made note of ages ago then promptly forgot about or artist's who I've heard on compilations or whatever and never bothered to check out. Now I have time to dedicate to that kind of thing it's been a really nice experience actually! Enter Akufen, an artist who I probably kept dodging due to their history of Glitch, which I wasn't a huge fan of based on what I'd heard. But that's when I learned that Akufen didn't just do Glitch, but had a fair few releases under the 'Microhouse' label which I thought I'd heard about in the past but I wasn't sure. To cut a long story short, Microhouse is essentially Deep House meets Glitch, I am particularly fond of this track Skidoos, which I think strikes a great balance when blending those two genres. Those little vocal cuts dancing around in my headphones are super nice.



Moving onto another artist in that "Need to check out but forgot" category, I finally got around to checking out Rei Harakami in depth. We had a post on his work a long time ago here, and he was always showing up in my recommended artists but I never took the time to deep dive, now that I've found his works easily accessible via Bandcamp and with Harakami appearing on a few soundtracks in my collection I figured I may as well. His brand of downtempo techy sounds are lush as ever, the intro on this one is a little harsh but stick with it and you enter a world of gorgeous downtempo. Like the non-soundtrack work of Mitsuto Suzuki in that respect actually, even down to the same use of panning sounds that I really like at the minute, definitely pull out your headphones for this one.



And finally, keeping things in Japan with another recent addition and quite possibly the most stereotypical Japanese name in my artist collection: Technoboys Pulcraft Green-Fund. The name comes with an equally weird origin story; they were called TECHNOBOYS on their initial formation in 1994, but were renamed in 2005 after merging with the group Pul-craft. Checked them out based on a couple of remix contributions I'd heard (and some slick looking album art which helps!) and it very much is up my alley with lush sounds abound. Interestingly though, like Akufen above, bands like this are slowly introducing more of a glitch sound to my library that was missing before (which would be a surprise if you've even seen my Artwork or Video pieces!), part of which is due to the Glitch I had heard being quite abrasive, this and Skidoos above are quite nice and almost melodic. I am enjoying this new dimension of sounds I have going on right now, and I'm hoping that you find a thing or two here that you like too!



Apologies for the slew of reposts recently, I am trying now to balance them with new & original posts (like the one you're reading now!). Like many of you I have a ton of free time so I got a little too invested in restoring the blog back to how it was, when I should have been trying to write more as well. There are still some more old reposts to come but I will do my best to mix it up a bit. As always, stay safe and enjoy the music!

-Claude Van Foxbat

Tuesday, 7 April 2020

Diggin' Results [2020 Repost]

NOTE: Hi there! I'm going through the backcatalogue and re-publishing all the posts I can find. I'm re-posting them as new articles too just so there is visible content going up. This post is originally from April 2015.

Enjoy,
-CVF


Got an interview with University on Tuesday, feeling good about it but of course that's always the case with me until I have to actually go in there. Anyway here's the results of my weekend's listenings.


Found the above on Reddit of all places, my music discovery there has been pretty limited until now, turns out there's some good stuff in them threads. Intro on this one's very lush indeed. Check this guy out, he more than deserves yer support!

I've been on the hunt for more classical meets experimental electronic since I got my mitts on Rossz Csillag Alatt Született, and where should I find my fix but from the most credited composer in my library Yoko Kanno. That breakdown in the middle is straight up amazing to boot.



And as always my most recent favourite jam from Squarepusher. It's got to have been well over a year since I first heard this one on that promo video and it's still just as sweet. The fact it's played by actual, literal robots only makes it even better. Welcome to the future, where robot bands play jazz.



-Claude Van Foxbat

Sunday, 10 June 2018

Many Moons

Paul Klee - Fire, Full Moon (1933)


A busy end of week has meant a departure from my usual chill slant to my listenings, so enjoy this week's little switch up. Starting off with a slice from the Portal 2 soundtrack, a far cry from it's purely ambient prequel, Portal 2 is full of gorgeous glitchy beeps and bloops twinned with the occasional cinematic orchestral feel. Case in point here with the fantastically titled The Part Where He Kills You, it takes a little while to get going, but the way the electronics come into the mix around 38 seconds in is sublime and it coveres all the bases I previously mentioned. Gets almost synthwave-y in parts methinks, and that title certainly wouldn't be amiss on something from the genre.



I'd actually forgotten that I even had this HEALTH song to hand, it kinda gets lost in the sea o Adult Swim singles. It's from after the release of Death Magic, the album that incorporated a more electronic feel to their work, but it has more in common with their previous noise rock stuff, particularly the raw drums that echo their work for the Max Payne 3 soundtrack at around 2 minutes in. That's not to say it's completley divorced from the electronic evolution they had, the ending breakdown starting around 2:45 is a fantastic melding of glitchy electronics and pounding industrial that you can hear just a little bit of Stonefist in, and actually reminds me a whole bunch of the kinda stuff Mick Gordon was making for the Doom 2016 soundtrack too.



And finally, speaking of glitchy sounds, another bit from Subhuman compilation. It's got kinda the same sensibility of Crusher in that it's mixing electronic styles with other industrial-esque sounds. Hearing it back to back with the above is a strange experience, it's a hell of a lot less raw in it's overall feel, some of the drums on Crusher feel like they're punching you in the gut whereas Memory is a lot more restrained in is delivery. Not to knock it though, I think it's combo of vocals and production is certainly interesting in it's own way. I only really have one complaint with it and that is the ending, the fade out just seems like a little bit of a cop out after the rest of the song.



-Claude Van Foxbat

Sunday, 26 April 2015

Diggin' Results

Got an interview with University on Tuesday, feeling good about it but of course that's always the case with me until I have to actually go in there. Anyway here's the results of my weekend's listenings.


Found the above on Reddit of all places, my music discovery there has been pretty limited until now, turns out there's some good stuff in them threads. Intro on this one's very lush indeed. Check this guy out, he more than deserves yer support!

I've been on the hunt for more classical meets experimental electronic since I got my mitts on Rossz Csillag Alatt Született, and where should I find my fix but from the most credited composer in my library Yoko Kanno. That breakdown in the middle is straight up amazing to boot.



And as always my most recent favourite jam from Squarepusher. It's got to have been well over a year since I first heard this one on that promo video and it's still just as sweet. The fact it's played by actual, literal robots only makes it even better. Welcome to the future, where robot bands play jazz.



-Claude Van Foxbat

Saturday, 3 May 2014

Yup, I've Been Drinkin' Again

Stopped off for a cheeky pint or two on me way home with some mates, as university students are legally required to do. And I gots to thinking about audio that matched out merry state as I walked to the station, and here's what I found!

Pablo Picasso - The Absinthe Drinker (1901)

Kicking off with a bit from Modeselektor. Hadn't even considered this at first, but then the stumbling melody that opens the track just fit perfectly for the theme. Lucky I've recently put Happy Birthday! back into rotation, I've been missing my electro style fix as of late.



Keepin' it in Germany with a visit from Siriusmo. I didn't see much press about his second album Enthusiast compared to his debut Mosaik, though I suppose we weren't waiting about ten years for it. Similar to the Modeselektor tune it sounds pretty unstable, but the title also translates to something along the lines of "Beer Tears" too.



Something a little out of leftfield here, I've mentioned a Squarepusher's one off Jazz record a couple of times but never actually posted anything from it save My Sound. It does get pretty weird in parts but is actually pretty sweet, here's a little 40 second interstitial that appears about halfway through that reminds me of some stuff I've made meself while on the drink.



And finally, a little extra that I decided to put on as it came on in the station. A dubbed out rework of Massive Attack's Better Things courtesy of Mad Professor. I was surprised I hadn't posted this one, it's one of my favourites from the remix album No Protection, headphones definitely recommended for this one.



-Claude Van Foxbat

Wednesday, 20 February 2013

Glitch With Me

Hey Guys, bit of a deviation from my usual content today, for a project at University I'm running a series of workshops/tutorials on how to make glitch art both in actual classrooms and over my university blog, and I'd like you to contribute to the final outcome, which is a collection of things people have glitched with help from my instructions. Sound good? If you want to get involved please go and read my Glitch Art Tutorial post and follow the instructions there!

And just so I'm not leaving you hanging with no music, here are some of my favourite glitchy tunes to give you a little something to work by if you're making some glitched up goodness!