NSFW Warning: Just a heads up, some of the album artwork featured in this post will be Not Safe For Work (NSFW). Might not be too much of an issue with the current situation, but thought I'd best mention anyway. Also future proofs this post too.
Regardless, enjoy!
-CVF
I've been waiting to write about this one for some time now, I mentioned it a couple of times on the podcast way back when, and had planned to do something written around then. Part of the delay has also been the potential NSFW as mentioned at the top of the post but I figured that now is as good a time as any to pull the trigger.
Yes today we're talking another soundtrack, this time for the quite obviously risqué Panty & Stocking With Garterbelt. A coming on 10-year old anime that was born of a simple idea; what if a show in the style of the Powerpuff Girls was just outright filth? And so you have a show about a couple of angels kicked out of heaven who are only interested in sugary sweets and sex.
For a show with such a lowbrow premise it's actually really funny, and if you watch it in English you could pretty much mistake it for an [adult swim] show. Anyway, the show itself hits the same buttons for me as sleazy electroclash does, but I will sing the praises of the soundtrack all day every day to boot, it's incredibly fitting and (if you pardon the 2010's blog vernacular and innuendo) actually banging. Let's dive in.
Kicking off with the track that sparked this idea in my head, PSG wastes no time dropping quality tunes as this one shows up in episode 1. I said this on the podcast too, but part of what I love so much about this OST is that it is absolutely a throwback to that era of electro and 'bloghouse', which was kinda dying out by tail end of the 2000s. And it fits the slightly seedy overtones so well.
It's TeddyLoid that consistently steals the show, this soundtrack was my introduction to his works, and that super loud throwback electro sound is his staple. Corset Theme is a prime example of that, and also showcases something else I've grown to love about TeddyLoid's works; that distortion on the vocals throughout is great, but when it's kicked into high gear on the more shouty parts it's incredible and really gives the production a feeling of power. Also of note, I'm skipping over some of the extra sleazy tracks on the OST with names that wouldn't be out of place on an electroclash release like "Beverly Hills Cock", "Dancefloor Orgy" and "Technodildo"
Moving out of electro and TeddyLoid territory for the time being, I was hoping to drop this one on Adam back when we were podcasting because it would be supremely up his alley with that MIDI Piano stab intro. And that's not the only piece of inspiration this one takes from vintage house, rave and garage; the vocals are a natural one too, hitting that same groove from the get go. But that's not all, I wish you all could have seen my face the first time I hit the bit after the breakdown around 1:43 or so, something about those Robin S style synths in the background really made it hit home in the best way possible.
There is a follow up OST album too, ironically called "The Worst Album". This one features even more genre variety, including some of TeddyLoid and the like's foray's into Dubstep (that do sound a bit dated, but I am still burnt out on that style of Dubstep so take that with a hint of bias). That being said the excellent tunes don't stop, this one was made for a throwaway montage scene and only appears in 1(!) episode. And like Champion, when I hear those 8-bits of the intro crop up in shuffle, I can't help but smile a little and get ready for the lovely wobbly Drum & Bass to come.
The D&B continues into the latter half of the LP, with this fantastic flip of the ending theme Fallen Angel. Continuing the theme of throwbacks, this takes me right back to when I fell into a Liquid Funk obsession back in Univeristy courtesy of Hospital Records. Every now and then they come out with a tune that takes me back, but I've yet to hear one that does it as strongly as this remix. I really can't praise it enough; from creative chops of vocals to being a mostly original composition it's all in all a fantastic remix. I could live in those euphoric breakdowns forever.
Spotify is sadly missing the 'third' OST album, which contains full versions of some tracks with the voice actors over them on the above two albums, but frankly I'm just happy to have these two back so I can share them in all their smutty glory. I was intending to put a couple more tunes too but I think this is long enough as is. I urge you to check out the albums if you at all like what you've heard, and if you end up watching the show too all the better! As always folks, stay safe out there and enjoy the music.
-CVF
Wednesday, 29 April 2020
Aural Fixation
See more:
Drum and Bass,
electro,
electronic,
japanese,
soundtrack,
TeddyLoid
Monday, 27 April 2020
Electric Futures 2020
NOTE: Hi there! I'm going through the backcatalogue and re-publishing all the posts I can find. I'm re-posting them as new articles too just so there is visible content going up. This post is originally from January 2017.
Enjoy,
-CVF
Kicking off with a slight electro slant this time, I was picking apart my look over Perturbator's LP The Uncanny Valley and seeing if my opinion had changed much. I don't think it has to be fair, the album is still mastered incredibly loudly (or at least my copy is, for good and bad, depending on the situation). But I did manage to find some things I hadn't put in my original post. Assault didn't really grab me first time through, it's not helped by having a real generic title for one, and secondly if you've listened to as much Perturbator as I have it's standard fare at this point. That is until you get to 2:30 of course, somehow I'd forgotten in the time past that there's a massive switch up from a slow and deliberate synthwave tune to more much aggressive feel as befitting an artist featured in Hotline Miami.
I recently put the Half Life 2 soundtrack back into my collection after a long absence, I've gotten to know them pretty well in the decade plus they've been around. Still though, there are little pieces that I will forever adore, one of which being Sector Sweep from Episode 2. That pulsating intro is a joy to listen to and perfectly captures the track's title, I especially enjoy it being used as a basis for the rest of the elements to be built around, it's not often you see a soundtrack have so much symbolism with the media it's accompanying.
And we can't be talking futuristic soundtracks and not give nod to perhaps my favourite opening theme of all time, Inner Universe. Ironically enough after speaking about soundtrack symbolism, Inner Universe nails it also, the contrast between the electronics and Origa's unique vocal contributions matches the world of Ghost In The Shell incredibly well. It's been a long time since Stand Alone Complex ended, and Origa herself passed sometime ago now, bet her work and the world of Ghost In The Shell will be forever entwined.
-Claude Van Foxbat
Enjoy,
-CVF
Horacio Garcia-Rossi - Couleur Electrique Lumière (2000)
Kicking off with a slight electro slant this time, I was picking apart my look over Perturbator's LP The Uncanny Valley and seeing if my opinion had changed much. I don't think it has to be fair, the album is still mastered incredibly loudly (or at least my copy is, for good and bad, depending on the situation). But I did manage to find some things I hadn't put in my original post. Assault didn't really grab me first time through, it's not helped by having a real generic title for one, and secondly if you've listened to as much Perturbator as I have it's standard fare at this point. That is until you get to 2:30 of course, somehow I'd forgotten in the time past that there's a massive switch up from a slow and deliberate synthwave tune to more much aggressive feel as befitting an artist featured in Hotline Miami.
I recently put the Half Life 2 soundtrack back into my collection after a long absence, I've gotten to know them pretty well in the decade plus they've been around. Still though, there are little pieces that I will forever adore, one of which being Sector Sweep from Episode 2. That pulsating intro is a joy to listen to and perfectly captures the track's title, I especially enjoy it being used as a basis for the rest of the elements to be built around, it's not often you see a soundtrack have so much symbolism with the media it's accompanying.
And we can't be talking futuristic soundtracks and not give nod to perhaps my favourite opening theme of all time, Inner Universe. Ironically enough after speaking about soundtrack symbolism, Inner Universe nails it also, the contrast between the electronics and Origa's unique vocal contributions matches the world of Ghost In The Shell incredibly well. It's been a long time since Stand Alone Complex ended, and Origa herself passed sometime ago now, bet her work and the world of Ghost In The Shell will be forever entwined.
-Claude Van Foxbat
See more:
electro,
electronic,
perturbator,
soundtrack,
yoko kanno
Saturday, 25 April 2020
Reunions (2020)
NOTE: Hi there! I'm going through the backcatalogue and re-publishing all the posts I can find. I'm re-posting them as new articles too just so there is visible content going up. This post is originally from July 2017.
Enjoy,
-CVF
Meeting an old friend tomorrow who's seen me through some tough times in the past. It's been a while because well we both have lives now and all that (see also: me and keeping up with posts), things are a little tough right now too so I'm gonna get a lil sappy with some nostalgic tunes from my library..
Starting with something from many late nights and early mornings cutting videos for uni. We're in that boat once again but I have Omni Trio's signature piano keys to keep me company, with Tracey Thorn doing her thing too. Much more sedate than the original for sure, those added basslines that are distinctly Omni Trio are a delight to listen to.
Kittin's been one of my favourite voices in music since I picked up Kittenz & Thee Glitz sometime in the early 00's. Got a special place for a lot of stuff she's been involved with, Hometown especially so. Out of nowhere Miss Kittin & The Hacker drop an EP after a few years of quiet, and it's a much more of a love letter to their new wave roots than the deliberate explicitness of their electroclash stuff. Kittin really shows of her talent for more downtempo stuff here, which is why I dig this and Rippin Kittin so much.
The Knife are also an incredibly important band to me, but I've already said enough about that in previous posts. I picked up their entire backcatalogue a long time ago and put it all in rotation. I don't think there's a single track on any of them that I don't associate with something or someone. And here's a primo example of that.
Apologies if this was a little self indulgent and that, I know it's pretty shit to read about blogger's memories when you have no connection to them but I just needed to drop something. We'll be back to regular stuff next time.
-Claude Van Foxbat
Enjoy,
-CVF
Meeting an old friend tomorrow who's seen me through some tough times in the past. It's been a while because well we both have lives now and all that (see also: me and keeping up with posts), things are a little tough right now too so I'm gonna get a lil sappy with some nostalgic tunes from my library..
Max Ernst - A Friends' Reunion (1922)
Starting with something from many late nights and early mornings cutting videos for uni. We're in that boat once again but I have Omni Trio's signature piano keys to keep me company, with Tracey Thorn doing her thing too. Much more sedate than the original for sure, those added basslines that are distinctly Omni Trio are a delight to listen to.
Kittin's been one of my favourite voices in music since I picked up Kittenz & Thee Glitz sometime in the early 00's. Got a special place for a lot of stuff she's been involved with, Hometown especially so. Out of nowhere Miss Kittin & The Hacker drop an EP after a few years of quiet, and it's a much more of a love letter to their new wave roots than the deliberate explicitness of their electroclash stuff. Kittin really shows of her talent for more downtempo stuff here, which is why I dig this and Rippin Kittin so much.
The Knife are also an incredibly important band to me, but I've already said enough about that in previous posts. I picked up their entire backcatalogue a long time ago and put it all in rotation. I don't think there's a single track on any of them that I don't associate with something or someone. And here's a primo example of that.
Apologies if this was a little self indulgent and that, I know it's pretty shit to read about blogger's memories when you have no connection to them but I just needed to drop something. We'll be back to regular stuff next time.
-Claude Van Foxbat
See more:
chill,
Drum and Bass,
electroclash,
electronic,
Electronica,
Miss Kittin,
The Hacker,
The Knife
Thursday, 23 April 2020
Monday Blues 2020: Trip Hop Boogaloo
NOTE: Hi there! I'm going through the backcatalogue and re-publishing all the posts I can find. I'm re-posting them as new articles too just so there is visible content going up. This post is originally from April 2016.
Enjoy,
-CVF
Back with more downtempo things for yer ears, trying to not make it and out and out sadfest as I might've done in the past but we'll see. Starting off with an early bit of Zombie Nation circa '99, this one was always a highlight for me as I'm sure you aware I a fiend for anything trip hop to start with, and doubly so when there's some vocoder goodness n there too.
Mr. Scruff and his penchant for jazzy sounds now. Adored this one for a long time, my favourite parts is where the tune gets slightly more upbeat sounding during the breakdowns which is a nice little twist on the usual formula. Also as a reminder I need more Scruff in my collection once again.
Finishing off with Martina Topley-Bird. This one in particular has been quite popular as of late because it's been sampled a whole bunch. Haven't heard much form her in a while, but between Her solo career and extensive work with Tricky I think we'll have enough to tide us by. Here's Sandpaper Kisses.
-Claude Van Foxbat
Enjoy,
-CVF
Vasily Polenov - Downpour (1874)
Back with more downtempo things for yer ears, trying to not make it and out and out sadfest as I might've done in the past but we'll see. Starting off with an early bit of Zombie Nation circa '99, this one was always a highlight for me as I'm sure you aware I a fiend for anything trip hop to start with, and doubly so when there's some vocoder goodness n there too.
Mr. Scruff and his penchant for jazzy sounds now. Adored this one for a long time, my favourite parts is where the tune gets slightly more upbeat sounding during the breakdowns which is a nice little twist on the usual formula. Also as a reminder I need more Scruff in my collection once again.
Finishing off with Martina Topley-Bird. This one in particular has been quite popular as of late because it's been sampled a whole bunch. Haven't heard much form her in a while, but between Her solo career and extensive work with Tricky I think we'll have enough to tide us by. Here's Sandpaper Kisses.
-Claude Van Foxbat
See more:
chill,
Electronica,
hip hop,
mr. scruff,
trip hop,
zombie nation
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