Showing posts with label pop. Show all posts
Showing posts with label pop. Show all posts

Saturday, 2 January 2021

Now, there's a name I haven't heard in a long time...

2021 wasted no time in bringing out the surprises, with The KLF of all bands appearing on streaming services with a new single collection, the first 'new' music from them since 1992.

If you're unfamiliar with The KLF, they're quite the characters to put it mildly, more than I can really do justice here but I'm going to at least try to introduce them a little. First there's their many aliases (the Justified Ancients of Mu Mu, the JAMs and the Timelords to name a few), the cryptic arty stunts they'd do - 'All You Need Is Love' extremely illegally sampling The Beatles, the song itself concerning the UK Media's coverage of the AIDS epidemic (with the album cover itself being a photo of a billbaord they'd graffiti'd over of Homophobe and general piece of shit James Anderton) to their more infamous ones like the performance art piece K Foundation Burn a Million Quid, which I'm sure you can guess what that entails.



And this has me curious. First, a bit more history, they performed at the BRIT Awards in 1992 with a band called Extreme Noise Terror, where they literally fired an M16 into the audience (With blanks, obviously but holy shit you would not be able to pull that stunt today) and if that wasn't enough they also snuck out afterwards and dumped a dead sheep at the entrance of the afterparty with a sign saying "I died for you – bon appetit".

But that's getting off track, the key point is at the end of that performance, there was an announcement that, quote, "The KLF have now left the music business", which given their track record for taking the piss wasn't taken entirely seriously at first but they followed through on it, and about a week after on the 14th of May 1992, they said:

We have been following a wild and wounded, glum and glorious, shit but shining path these past five years. The last two of which has [sic] led us up onto the commercial high ground – we are at a point where the path is about to take a sharp turn from these sunny uplands down into a netherworld of we know not what. For the foreseeable future there will be no further record releases from The Justified Ancients of Mu Mu, The Timelords, The KLF and any other past, present and future name attached to our activities. As of now all our past releases are deleted .... If we meet further along be prepared ... our disguise may be complete.


So my question would be after 'deleting' their past releases where's the source for this new compilation, it can't be the original masters in that case can it? Or did 'deleting' just mean the stock of records at the time? But anyway, that's getting off track too, now the context is out of the way let's get into it. I've got a real love for The KLF, their arty side was a big part of my dissertation on Piracy in art, linking them with John Oswald's plunderphonics as a gateway for me to write about the sampling debate, and if there was ever a time for them to return, now is pretty fitting. They also released one of my favourite ambient/concept albums of all time in Chill Out which unfortunately wasn't part of the compilation just dropped but I highly recommend checking out. Here's my favourite track from it - Madrugada Eterna, in all it's pedal steel glory. The album itself is themed around a road trip on the Gulf Coast of the USA, starting in Texas and ending in Louisiana - featuring samples Elvis and Tuvan Throat Singing among others along the way. Seek out the whole album and listen to it in order for the best experience!



And finally, just a rundown of the videos they put out around the same time. They're not new or anything, but I do always like it when these super old music videos get put out in decent quality. Last Train To Trancentral is a great tune - this poppier one isn't my favourite mix of it but it still has it's charm, those trancy bits as the name implies are as lovely as ever.



Quite a far cry from Madrugada Eterna wasn't it? Decidedly early 90's in it's execution too. No doubt intentional, though The KLF went all in on the pop front in their later years as referenced in the above quote, they did it in a really cynical way - even going as far as to write "The Manual (How to Have a Number One the Easy Way)", a case study on them doing just that after their 1988 single "Doctorin' the Tardis" as The Timelords did just that. You can hear the formula especially on tracks like "What Time Is Love". Even with the cynicism though it's a quality slice of 90's dance, surprisingly powerful in parts and drenched in 303, all topped off with MC breakdowns as was fashionable at the time.



Topping it off we have the real wildcard. Justified And Ancient featuring Tammy Wynette of all artists on the vocal. Another example of something you couldn't get away with today, releasing a video and lyrics like this in 2021 would have your conspiracy theorist uncle absolutely frothing at the mouth about communist satanists or the like. Despite how different it is from the rest of this post, it's actually a very good summary of The KLF: Odd for sure, Unique for definite, I don't know many tracks that sample what sounds like a level crossing bell and an absolutely massive ear-worm.



Whatever they have planned is sure to be pretty special. Or who knows, maybe this is another piss take of the industry and the modern hype train and they'll slink back off into the sunset. Either way, it's good to have an official version of these videos out there and have some of The KLF's works more readily available on streaming to boot.

And as always, Stay safe and enjoy the music.

-CVF

Monday, 10 October 2016

The Return Of The Röyk'

I am back with news of new Röyksopp Rumblings. This one's actually been sat in my to-do pile for a while, but the original promo email only had spotify and apple music links and I couldn't figure out how to embed 'em. Anyway, the Röyksopp boys are back after leaving us a little uncertain after saying they were abandoning the album format with the ominously titled The Inevitable End. This time with a shiny new retro aesthetic and some junk style helmets too. Seems they've heeded my call somewhat and fully embraced the pop streak of Junior, which isn't necessarily a bad thing...




I think I like the visuals more than the cover that's been making the rounds on soundcloud and the like, seems a little cool in terms of palette for the sound of it. Which speaking of, remember a while back for one of the submithub roundup posts where I was saying I missed La Roux and was surprised no one's jumped to fill in the gap? Well it looks like the 'sopp might be on that track with this one, Susanne Sundfør's delivery here is unlike most of what I've heard from her, certainly a far cry from the bittersweet melancholy of Running To The Sea, and she pulls it off in fantastic style.



It's not grabbing me as instantly as Junior did, but I am definitely down for more stuff in this vein to see where it goes. (Plus my weakness for all things Susanne Sundfør, Karin Dreijer, Lykke Li and Robyn probably helps too.) They're clearly having fun with it, the vaguely Tim & Eric style visuals have me charmed, and judging by the appearance of Svein & Torbjørn in the video they aren't taking themselves too seriously which electronic music could always use a bit more of. For comparison's sake and just because it's one of my favourite pieces from their last release, I leave you with Thank You, and I thank the promo folk who put this on my radar to begin with, 'cos I'm a bit rubbish at keeping up with new releases these days.



-Claude Van Foxbat

Wednesday, 2 July 2014

Movin' On Up: Caitlyn Scarlett

This is the year that "Dub-Pop" reaches mainstream success with US listeners. One of the freshest voices to come out of the scene is Caitlyn Scarlett, an 18 year old from North London. With a killer set of pipes and infectious hooks, Caitlyn Scarlett demands that you keep her tracks on repeat all summer long. Her newest single "If you go" from her debut EP "Jurassic Jukebox & Other Drugs"  is a great jumping off point for this young talent. Ms. Scarlett made some time in her busy schedule to chat with with me this week. More after the jump.





IL: What age did you start singing and what age did you realize "Yeah,​ I am pretty good at this and I would like to do this for a living"? 

CS: Haha, I actually remember this. I was 5 and I grabbed one of the workers at my after school club, pulled them into a bathroom cubicle and made her listen to me sing Christina Aguilera. I was like “How cool is this!”

IL:  What did you listen to growing up and what are you listening to right now? 

CS:  Everything. Seriously - Duran Duran, Michael Jackson, Foo Fighters, Johnny Cash, Eminem. I’m still the same, if it’s good - I’ll jam to it. On my phone playlist, I currently have a lot of Drake, Nirvana, Childish Gambino and James Blake.

IL:  As an artist in the UK ​,​ what kind of challenges do you face when marketing yourself to American ​audiences? 

CS: Well, it’s hard because I love playing live gigs and I know there are a lot of lovely people in the US, who have taken to my music. It’s sometimes frustrating to be so far away. Meetings from US to UK have to be over phone and email, so I spend a lot of hours staring at a screen sometimes.



IL:  Will you be traveling across the pond at all for a US publicity tour? 

CS:  I am going to be in LA this July, and then hopefully New York later. I would definitely love to do a tour at some point... who knows.

IL:  Favorite US City? 

CS:  The only place I’ve been to in America is Florida... does Disney count? :)

IL:  What kind of sounds are you looking to next on future singles and EP's? 

CS:  Well, I really struggle to define my sound genre-wise. I’d say very bassy, full on... could get a little weird. 

IL: So ​,​ if you weren't singing​,​ what would you be doing? 

CS:  I think I’d be an archaeologist. Dinosaurs, mummies, ancient ruins, all that stuff gets my inner nerd very excited.

​IL:  "​Sunset Cigarette​"​ is a pretty stellar cut from your debut, whats the story behind it?





CS:  Thank you, that song is actually the closest to my heart. It’s written about a girl, which tends to shock a lot of people when they find that out. We had a very unusual and special bond, but it ended badly. When we were young, she gave me my first cigarette and that’s an experience you don’t really forget. Similarly to a cigarette, she was exciting at first, but ultimately very unhealthy.

IL:  Biggest pet peeve? 

CS: Slow walkers on the underground, please move!

IL:  Being relatively indie ​,​ do you find that you​'​r ​e​ walking on eggshells because people are watching your steps, or that your able to have artistic freedom? 

CS:  I’m actually very at ease about that sort of thing, I’ve always been obsessed with maintaining my freedom, writing my own music and being myself. If people are watching I’m very glad, but it doesn’t really affect what I create.

IL:  If you could work with anyone in the biz right now ​,​ why would it be James Blake? 

CS:  I think James Blake is ridiculously talented. I love the dark weirdness to his music. I think if the inside of my head had a sound to it, it would probably be one of his songs. I like to think we’d get on really well and make some banging music.

IL:  So ​,​ you already had great success and your singles are doing great on ​S​oundcloud.​ Did you see yourself getting this much buzz so quickly?



CS:  No, honestly. Surprised is an understatement. I was just finishing my last year of college when everything started to go a bit mad and life felt like a dream world. I’m so grateful, though. It’s really rewarding.

IL:  What producers are you working with right now? 

CS:  I’m continuing some work with Ayo Beatz because he is such a babe. There are a couple of pretty exciting names I’m collabing with soon but I don’t think I can mention them just yet, unfortunately... hehe sorry.


You can check out more of Caitlyn Scarlett here:



Thursday, 17 April 2014

To Whom It May Concern:

This is the story of how the Revolution took the approach of Youth in Revolte against a corrupt system. They did it for the kids. They did it for her good. They did it for you and me. In the end, only one will prevail. This is the story of Heart vs. The Machine.



Heartsrevolution caught my attention several years ago when I was in high school, desperately searching for more electronic and indie music to fuel my newfound insatiable appetite for out-of-the-box musicians. From childhood, I had lived in a cultural void empty of anything but The Beatles, so when I stumbled upon the Kitsune Maison Complilation series, my world turned upside down. Then not too long afterwards, I found an iHeartComix (their label at the time) smpler CD at a thrift store and once again, there was this Heartsrevolution. Who is this girl yelling at me to choose my own adventure? Where can I hear more? It's been something like five years now, but now I've got my more, and I'm quite pleased. After a training meeting at work this morning, I came home to find a bright pink package in my mailbox. Seeing as that Ride or Die, the new LP from Heartsrevolution, dropped yesterday, I knew exactly what it was.

The buttons came separately, but they were just too cool to not show.

Truly, though, I could not have been more surprised by an album preorder incentive package. I've ordered CDs and LPs in advance many times in the past, but never before have they included a coloring book, package of crayons, Pixy Stix, random Japanese candies or a card advertising their plans for a 2014 tour disguised as a Little Golden Book. In case you're not too familiar with Heartsrevolution, the band is a duo made up of 'Lo' Safai, and Ben Pollock, formed when Lo approached Ben to create a musical soundtrack for her Heartsrevolution ice cream truck. Childlike innocence, bright colors and cheerful imagery disguise a rather dark, serious and high-concept collection of songs pushing for a cultural revolution. The aforementioned Golden Book reads,

"Hello, let's be friends! This is the Heartschallenger Pop He(Art) Truck, founded by the band Heartsrevolution. It is a beacon of magic and wonder on a mission to create and revive amazement for the young and young of heart. The truck is covered in half of a million, magical Swarovski crystals passed down from the King of Pop [...]. In addition to selling band merch we also have a variety of our favorite popsicles, candy and toys." 
'A beacon of magic and wonder on a mission to create and revive amazement for the young' ... just yesterday, I was reading an article on Salon about how postmodernism and irony are effectively robbing culture of having any real worth. As a friend summed it up, no one is genuinely excited or amazed by anything anymore. That's really something to think about. Are we truly amazed or excited by anything, or do we just open ourselves to culture in a sort of snarky, sure-whatever sort of way? I can honestly say I'm only interested in the new Star Wars trilogy on the grounds that it will probably be terrible and a good laugh. The only comic books I read regularly are those with self-referential humor that deconstruct their genres. This album may be one of the only things (aside from Random Access Memories) in the last 12 months I've been genuinely excited about. Maybe the revolution has a chance of destroying the machine. Maybe we can learn how to be as excited and amazed by incredible, beautiful, fun things as we were when we were just kids.

Oh yeah, and they literally mean Michael Jackson. His tour was cancelled when he died, so they bought all the glitter and fake gemstones that he'd ordered for the stage decorations at a discount and used them to decorate their ice cream truck tour bus. That they actually use to sell ice cream. And stuffed animals. I know I mentioned that in the block quote, but I need to re-emphasize just how cool that is.

But you came here for music, not my ramblings, so let's get down to it. Here's some selections from the album, including a few new takes of tracks they've released before. Oh and there's a pink crayon in the jewel case. Just pointing that out.















I strongly advocate picking this album up, boys and girls. Crank up the volume, dance around in your socks a little while you get ready for work/school/make dinner, hug a stuffed animal, ignore the tabloids, fuck the hype, ride or die, etc. You can stream it on Spotify and Soundcloud, and purchase it on iTunes, and from the Heartsrevolution shop. I guess there's a Kitsune edition and LP coming soon too.
Have a day full of wonder and amazement. We out...

Friday, 28 February 2014

Desert Island: No food on the island but we still eatin'

Wow this one was really hard! If I was stranded and had only one mix-tape what would it be?

Like everyone my tastes change weekly so I had to narrow it down and be stranded on a tropical island. I think a frozen tundra deserves its own album with its own moods. I would love to fill this one up with a bunch of Disclosure and Kanye or French house records but those tracks would take up too much room. This ones filled to the brim with essential tracks so I won't talk about all of them, but I will talk about the important ones. 


Lets start it with the greatest opener of all time, Politik by Coldplay. A Rush of Blood to the Head is still one of my favorite albums of all time. It was Parachutes but with teeth and nothing showed that more than this opening track. It was hard to choose just one Coldplay song when most of their discography is rock solid along with all the B-Sides like I Ran Away and Crests of Waves. 

Next we have Parisian Goldfish by Flying Lotus. On a deserted island I will be thirsty for three things; water, beer, and Flying Lotus. Parisian Goldfish has that great tropical beat, and killer synth that I will never ever get sick of. 

I have a soft spot in my heart for post-2000 New York Punk so the Yeah Yeah Yeahs will be claiming a coveted spot on this list. Their first album Forever to Tell was absolute perfection and the track Date With the Night has has a 2:30 minute run-time.

We all know I stay noided so a Death Grips track is a must. A deserted island is probably the only place I can bump Death Grips without someone complaining about it so I intend to take full advantage of that. The opening track "You Might Think He Loves You For Your Money But I Know What He Really Loves You For It's Your Brand New Leopard Skin Pillbox Hat" Yes that name is just as bad as anything Sufjan Stevens did in Illinoise but man this track bangs so hard. 

Crystalized by The XX. Yes, I know Islands should be the obvious choice but no crystalized is the best XX track hands down. 

I'm not sure what happened to Imogen Heap. She had such a promising start and I feel like she threw it all away, but Loose Ends from the album Speak for Yourself is a surprisingly dense pop album that's short and direct. Im going for all my guilty pleasures for this mix since I have no one to answer to. 

Brooklyn Zoo from Ol' Dirty Bastard is just a fun track that I don't want to answer for along with Joey Bada$$. I know the pro era crew hasn't put out anything solid. Some people prefer west coast or dirty south styles but those people would be wrong and that's ok. 

The Dj Rashad track to represent Chicago and honestly his debut album was like nothing I've heard before. I get the same feelings hearing Double Cup as I did when I first hear Flying Lotus's Los Angeles. It's the thesis for an entire genre of music.

Now that I've defended my choices feel free to criticize. Yes I checked this mix clocks in at exactly 70 minutes so it's burnable to a standard CD-R


Thursday, 23 January 2014

Ilictronix wingman series: part threesome

Awwww yeah that's right y'all, light the candles and dim the lights because your favorite wingman is back. It's a new year so start it off right by throwing it down to the sexiest tracks yet.

First up is a track from Chicago locals, The O'My's from the album Chicago Style. Honestly you play any cut off this album and that special someone will just melt with ecstasy. The song Girl It's Been Fun is a guaranteed raunchy time. The beat is sparse, the vocals are seductive, and the tempo is slow enough that even the most inexperienced person can set the mood. Perfect for tender, anniversary love making. 


Moving on to how couples in the south side of Chicago get down is a great track from Jody. With one EP under their belt and a great lalapalooza performance, this quintet is set for big things. There isn't much to say about this one, so let your loins do the talking. 



Wanting to seduce the sexy hood rat in your life? Look no further than Chicago rapper KIT. The track Fuck You is deliciously explicit. Makes the perfect soundtrack for the codeine fueled orgy you will have while listening to this. 


Live in the suburbs and want something more family friendly? Artist Rhye has you covered. Open is a great name for this one because it's a bonafide leg spreader. You can easily play this one in front of the children your going to make to this. 



Remember be safe! 

Thursday, 5 December 2013

Ilictronix: wingman edition part 2

Hey everyone, Adam here acting as your holiday wingman with the goal of getting you all something extra for the holidays.  So grab that mistletoe, get someone drunk on eggnog and get busy with these tracks.

Let's just start it real filthy with a track from the new R. Kelly album Black Panties. No introduction is necessary for the Pied Piper as his discography speaks for itself. This album could be his sexiest one yet with tracks like; Marry The Pussy, and Show Ya Pussy. The intro song Legs Shaking features Ludacris who delivers a verse that calls back to his own track, Fantasy. Black Panties is out December 10th. Should be used by people who posses extreme game. 




Next up we have Swedish producer Markus Enochson with the track "Love Is On The Way". It's a great blend of Swedish pop and American r&b. The vocals feel like sweet nothings are being whispered into your ear. A panty dropper for sure. 




For all you indie couples who don't want to throw it down but make tender love, here's something just for you from Incan Abraham. A warm track for couples who "love each others souls".  It still sets the mood and gets the job done with a romantic deserted island vibe.




Since this is the holiday wingman guide, the XX's cover of Last Christmas is next. I swear everything this group touches turns into the ghost of sexy time past, and this cover is no exception. Probably the most in your face Jamie XX has ever produced but it's still a sultry take on a cheesy song. Its a great tune to play when you're double dipping with your previous fling.





If all else fails there's Mannheim Steamrollers God Rest Ye Merry, Gentleman. It's old school, but for generations people have been getting "comfort and joy" during the holidays to this Christmas album and you should too. Heck turn it into a Christmas tradition, I know I have!  



Remember wrap your candy canes with a stocking and happy holidays!

-Adam



Wednesday, 30 October 2013

Introductions are in order.

Not to sound like a cheesy online dating ad but hi, my name is Adam and I'm happy to be here! I've been an avid reader of this blog for years now and I'm proud to start contributing. I just moved to Chicago so I'm excited to share with you some fresh tracks coming out of this area, along with some of my personal favorites.

The music scene has certainly changed since I've joined this blog. Who would've thought that the electro house craze of 07' would keep growing and eventually hit the mainstream airwaves! That producers would get the recognition that they have today and people like Hudson Mohawke would be making beats for Kanye west! Could anyone predict that electronic artists and rappers would join together for a "golden era" of hip hop? We are living in a new age of connectivity and artistic expression and I'm excited to join in the ride with all if you.


So instead of killing myself finding a track that is my "thesis". I've decided to just share one of my favorite tracks this week from artist Kelela. This free mixtape dropped pretty recently and the opener is by far the best cut on the album. I love this track, from the opening synths to the cool delivery of the vocals. It's hard not to fall in love when the chorus hits and the track goes barebones with that haunting synth line.




-Adam