Showing posts with label simian mobile disco. Show all posts
Showing posts with label simian mobile disco. Show all posts

Wednesday, 7 July 2021

A Flip-through

That time of year where I look do a little bit of belated spring cleaning - tidying up the folders and doing the 'when I remember to' backup of everything just in case, I'm not as careless with new stuff as I once was so it's not quite the two-day task that it once was. On my travels I spotted something curious, an overlooked folder with a backup of my then-current collection of music that can't have been from later than 2012 or so, almost quaint in comparison to the beast it is now. But I was curious and decided to have a little look through to see what the state of things was almost a decade ago.

Eyvind Earle - California Memories (1994)


If you've been reading here for as long as I've been writing this will be a real trip down memory lane for you all too, pretty much every post the hyped up teenage me would make is represented in the haphazard loose files (in my defence I didn't think it was big enough at the time to warrant arranging into folders!). But one silver lining here is the smaller scale makes it easier to pick out certain tracks, the more you have the less likely you are to come across single ones after all.

The spur of this post was finding Nightmares On Wax's Emotion / Sweet Harry among the pile - a brilliant piece of turn of the millennium downtempo. It's never been released outside of the soundtrack to 1999's exceedingly British club comedy Kevin & Perry Go Large so it's not the easiest track to pick up, which is a shame - the rest of the soundtrack itself is an absolute who's who of late 90's dance and trance to boot. So instead I went with a track from the NOW album from around the same time Carboot Soul, Emotion could have easily been a B-side from it as the rest of the album shares the same kind of sound. If you're at all into 90's downtempo or trip hop - or interested in getting some in your collection, I can't recommend this album enough. Every single entry in the tracklist is just great, but the one-two punch of the opening track Les Nuits into this one is nigh perfection.



What else was happening in my collection around that time? Well, I'd just discovered that Modeselektor and Apparat were teaming up again as Moderat (get it!?) once more and this time it was going to be an album. Coming back to this one has been interesting too, because even at the time I was of the opinion that the album peaks very early in the tracklist, though there are some standouts later on as well. There are times where it's a little too minimal for me - tracks like A New Error sound great, but do start to wear out their welcome towards the end of their 6-minute runtime. My real favourite from the entire thing was Rusty Nails, Apparat providing vocal accompaniment nicely breaks things up so it doesn't suffer from stagnation, and I will always forever love that very obviously Burial inspired 2-step beat of the opening. In hindsight as well it's more obvious to see this one's ties with the eventual second Moderat album, with a lot of the tracks there following this formula. While I may like the second more than the debut, I still have a place in my heart for tracks like this.



And finally, relics from the days where I spent every day searching for my next electro house hit. At the time I was hyping up Simian Mobile Disco to anyone who would listen, to the point where the first track I ever posted here was one of theirs. In fairness to past me, Attack Decay Sustain Release is a really solid debut, and one of those albums that was definitely right-place-right-time to take advantage of the explosion of great electro that was happening around 2007. ADSR came out in June of that year and promptly made its way onto all my summer playlists, like Carboot Soul it's only short at 10 tracks but there are no duds - each and every one has something to offer.

Sleep Deprivation is perhaps one of my favourite album openers of all time, the buildup to payoff is one of the few from this era that still gives me that same tingly feeling of excitement to this day. The bandcamp version that the Mobile Disco boys have put up is a remaster, it doesn't sound much different aside from swapping out a couple of the tracks and (Sleep Deprivation and Hustler getting 'Club Mixes' whereas Wooden gets an extended cut). Personally I think the originals are better, but I do love the variety they bring, if it were up to me I'd have them as bonus tracks on the end and not swap them out like this but hey ho.

I've gone with I Believe this time, perhaps the poppiest track on here and one I'm surprised didn't manage to worm its way onto the radio like so many electronic tunes of the era did, it Features Simon Lord of the original Simian putting in a super powerful performance as he did on We Are Your Friends. I don't think it sounds too dated at all, not to sound like a broken .mp3 here, but I still have a lot of love for this one - with what is probably admittedly more than a bit of bias on the nostalgia front.



And so ends our trip down memory lane for today, I did briefly have a thought of 'Oh man, I should Retro Review that Nightmares On Wax Album!" only to remember I had already done that many years ago when I first started writing with the 'A Very Warped History' series. Not to say it can't still happen mind you, I'm sure I have more nuanced opinions these days so it wouldn't be a straight re-tread - and I should swap out the spotify players on those old posts with Bandcamp ones where possibtle now Warp has their own one... Regardless, hope you've enjoyed gettin' all nostalgic with me, or just plain enjoyed the selections if its your first time hearing them! Either way, as always - stay safe and enjoy the music.

-CVF

Wednesday, 3 April 2019

Ilictronix Podcast: Lost In Electrons

"Claude and Adam share and discuss their favorite tracks of the week, in this episode: Claude shares electrons from F.U.S.E. Moderat, Simian Mobile Disco and more, Adam is back on his usual kick of house and piano stabs."

We are back again for this week! I've been feeling a little scatterbrained at the minute, same as last week to an extent actually due to IRL things. I tried to not let it effect the show too much but it definitely did or this episode, due in part to me taking a deep dive into learning software again too. So as I (admittedly rather poorly) tried to explain at the top of the episode, my choices this week are all tunes I've found myself lost in. There is an overarching theme of spacey sounding synths too that was a semi-conscious choice when I was formulating this list. On the way we make some diversion on the subjects ofCopyright in the modern era, naming your albums, Deluxe Editions once again and all the usual points you've come to expect by now. We have some good talk in this episode, helped along in part by Adam's lovely rebound choices, a far cry from the deliberatle dreary atmosphere of last week, Adam is once again as the man himself put it, Back On His Bullshit™. It's delightful to have him once again hitting us with our weekly dose of piano stabs, it's certainly been a comfort to me in these uncertain times. Anyway, enough waxing poetic, tracklist as usual below!

Tracklist:
Intro: Flo Milli - Beef FloMix


Claude’s picks:
Moderat - Let In The Light
Yoko Shimomura - Out Of Phase
Simian Mobile Disco - Do Not Exceed Stated Dose
F.U.S.E - UVA
Ulrich Schnauss - Nothing Happens In June


Adam’s Picks
Head High - Hardcore
Cody Currie - Asteroid Belt
Martyn - Elden St.
Chaos in the CBD - Green Dove
The Pharmacist - Vision

Outro:
Burial - Rough Sleeper


SHOW NOTES:
The BBC Radio 6 show I talked about where they interview Yoko Shimomura and other composers of the video-game circle is available here, but only for 5 more days as of writing. It's an interesting listen, and definitely check out the other episodes in the series too!

-Claude Van Foxbat

Friday, 5 August 2016

Friday Bread

Ralph Hotere - Hang In There Mate (2011)


In need of a pick me up today so here are some smooth as ever tunes for both of us. Starting with Nightmares On Wax once again, my favourite descriptor of this track will always be that it's like if trip hop was made in a more tropical location than Bristol. It rings true throughout too, it's got N.O.W's trademark positive vibe in there in spades, pretty much the antithesis of the gloomy side of trip hop.



Some old school Clark too, back when he was still billed as Chris Clark. Lord Of The Dance is a real standout there, in amongst the early markings of his later trademark distortion comes this little happy numbr. I'll forever love the sounds on offer here, it's a joy to listen to.



On that same note, my summer album of 2007 or so is back once again. Simian Mobile Disco's debut LP is short but very very sweet indeed, I Believe being one of many highlights, featuring Simon Lord from the original Simian lineup to boot. Part of me wishes they'd get him back as a guest and revisit the style, but at the same time it's a perfect time capsule of the sound that I'm happy with it as-is.



-Claude Van Foxbat

Monday, 29 February 2016

Monday Uncertainty

Another week and I feel the same once again. Let's not dwell on feels and instead songs. Songs that will be coming up as per us after the bit of art.

Betty Goodwin - Moving Towards Fire (1983)

Taking a trip back to the 1990's again with Everything But The Girl again. I think I might have said before that the album's aged pretty well, which *might* not be entirely true. The Drum & Bass parts hold up great for sure, but parts of it (and this track in particular) are mid-to-late 90's in audio form. But to be honest who doesn't like to indulge in some of that every now and then?



I've not posted anything from Felix in a long time. A bit of a shame really because after Daft Punk he's the one responsible for me getting serious into the wide world of electronic music. I'll admit He Was King has a couple really duff moments on it but I adore most of it; I saw one review complain it was Felix trying (and failing) to recapture the glory days of Kittenz & Thee Glitz but I don't see it that way, to me this is Felix revisiting the inspirations that led to the Glitz sound one last time, with an extra 8 years of experience.



Yet another reminder of things I need to pick up again. I've been out of the loop on all things Simian Mobile Disco for a loooooong time now. So in an effort to spur me on to actually check them out again I am going to post one of my favourites from Temporary Pleasure.



-Claude Van Foxbat

Saturday, 14 February 2015

Wuv

Taking the weekend off as usual, realised I didn't stockpile any valentine's mixes like I have done in the past. Oh, cock. Instead have some kinda love-y songs I guess? that seems like a thing I could do to make up for it (and also the slow posts).

Romeo Britto -First Love

Been on a Björk type of thing lately, and I've been itching to post this one again, the tune and infamous video that introduced me to both her and Chris Cunningham and tickled my cyberpunk itch before I even knew I had one (or even what Cyerpunk was).



On that same line I will shamelessly re-post what is to this day till my favourite lovesong in the world: The live version of The Knife's Heartbeats. While no doubt influenced by José Gonzalez's cover that gave it a new atmosphere, The Knife aren't one to be beaten at their own song, and they return with the definitive version. Absolute classic.



Throwback to Simian Mobile Disco's debut. Honestly the tracks here have aged incredibly well, it's coming up on 8 years old now and it's all still pretty fresh. It's chock full of gorgeous electro of the era, and this one along with I Believe are fantastic singalong tracks that I never tire of.



Just realised there's no instrumentals on here, so have an extra bonus from the Modeselektor lads, serving up some smooth synthy goodness with the simply titled I Love You, and I'll see y'all soon with more songs to get you by.



-Claude Van Foxbat

Thursday, 24 July 2014

Back In Blighty

I have returned over the channel to the familiar isles of Leeds, with no sunburn to report thankfully! Over there was surprised to find I don't have really any Spanish tunes in my archive, but at the risk of sounding nationalistic I do have a ton of British tunes, so have some of them why don'tya?

David Hockney - A Bigger Splash (1967)


Kicking off with my summer album circa 2007, Simian Mobile Disco's debut stands strong as ever even though it's only a ten tracker. The vibe captured on tunes like this is pretty much perfect and is just at home on the beaches of wherever as it is back in England at your uncle's crap summer barbecue.



Another moody bit from the 'Tron's debut. The LP Starts incredibly strong and even though it is pretty simple in comparison to their later work it has a real charm to it that's very sweet, no doubt helped by the strictly synthesized accompaniment.



And finally yet another debut, this time the trip hop pioneers Massive Attack. Unlike their more mellow output circa 1998's Mezzanine, this track is much more rooted in the original trip hop stylings with more of an emphasis on the Hip Hop part, with just a sprinkling of some soul in there courtesy of Shara Nelson.



-Claude Van Foxbat

Friday, 23 May 2014

Pre Deadline Quickie

Taking a break from making sure everything's in order for me hand-in next week to lay some tracks down for ya. Hope to keep this one short so sit tight.

Andreas Nilsson - Landskap Norsken

Another blast from the past here, I actually remember grabbing this through illegitimate means circa 2003. I can practically recite this tune note for note given the amount I've listened to it. Good news is I wouldn't give you a decade old 128kpbs file, I've since changed me ways. Enjoy.



Another tune I've had on my HDD for a loooong time, ripped this one for a friend digitising his vinyl collection. We picked it up back in like 2005 when we were out searching for the elusive Roulé and Crydamoure. Pretty solid house actually, shame the guy never really put out much more than a few EPs.



And finally and extra minimal bit from the special edition of Temporary Pleasure. When I picked it up I wasn't too big on minimal, still ain't, but I branched out a little in that direction. It was pretty clear SMD were gonna head out in a techno direction after this with Delicacies, especially given the title of this track.



-Claude Van Foxbat

Thursday, 8 May 2014

Let There Be Tracks

Got on an old school kick earlier today as I do every now and then. Back in my bloghopping days when I first started coming here and was picking up a boatload of new tracks every week. Times and taste have changed since then, but I do still have a place in my collection for the old electro.

Atelier Olschinsky - Organic 02

Title track from TBG's follow up, featuring their occasional 80's tinged sound as shown on Aviateur but with a much more post-Kavinsky influence. The album was a little ropey in spots but I'll be damned if they didn't nail it with this one.



Simian Mobile Disco's debut is probably one of the most solid I own, for their first full length it's quality throughout if a little short. Here's track four featuring Char Johnson, surprisingly she's done no other tracks since, thought a lot of people would have picked her up based on the strength of this.



And lastly, them Modeselektor lads. I put Happy Birthday! away for a long time, but now I think it's time for it to trade places with Monkeytown. I came late to their unique blend of electro, IDM and the occasional bit of Hip Hop which is a shame because it's real refreshing. Definitely check them out if you missed the boat like me.



-Claude Van Foxbat

Wednesday, 28 August 2013

AT / AA 79

El Lissitsky - Proun 19D (1922)

Man, Simian Mobile Disco's Attack Decay Sustain Release i a real feel good album. No doubt being released at the height of summer way back in 2007 helped it a bunch, it certainly got it's fair share of play from me that year for sure. It's short at 10 tracks and just over a half hour long, but it goes a long way. Here's a late gem Wooden

Friday, 12 July 2013

AT / AA 36

Jasper Johns - #6 (After Untitled 1975) 1976

The first post of this had e commenting on Simian's second LP Temporary Pleasure and saying I wasn't going to post some of the more popular tracks just because. Well now I'm going back on my work but I'm going to rationalise it by saying that this is a stonking good tune indeed.

Tuesday, 14 May 2013

A Tune / An Art A Day

In the interest of keeping things fresh, I'm gonna switch to a pseudo-microblogging style for a bit. So I present to you my new idea: 1 Tune and 1 Piece of art a day for however long it takes for deadlines to be over. We'll get into bizness afeter the aforementioned art.

Tom Wesselmann - Smoker, 1 (Mouth, 12) 1967

Leading this is a little number from Simian Mobile Disco's second LP Temporary Pleasure. It suffers like many second albums, there is real gold on there in tracks like Audacity Of Huge, but they've been blogged to death. Here's a recent repeater of mine that comes in towards the end of the album, Bad Blood



Pop Is Dead,
-Claude Van Foxbat

Friday, 16 March 2012

Bonus Round

It's been a hectic few weeks but hey, I just remembered I write things for the internet about music or something, I should probably get back on that. You know what annoys me a teeny tiny bit? when you sink some money into a new release from your favourite artist and then 3 months later they re-release the same thing with about 3 or so extra tracks pinned onto the end, or even worse, re-issue their first album with a track from their mediocre second effort slapped on the end for no reason at all! (looking at you there, Pendulum). Now, while it is a pretty annoying tactic to squeeze more dollars out of you, I've managed to dodge it a few times and pick up some sweet bonus tunes.



First up is everybody's favourite Norwegians, Röyksopp. I picked up their second album, The Understanding way, way after release, but to my surprise my local record joint still had shelves of a special edition for cheaper than the vanilla album. I promptly snapped it up and was treated to a few pretty amazing tracks, check 'em.




Stickin' in Northen Europe we take a trip to Sweden. Yep, it's Knife time once again. Turns out that like Röyksopp's deal, there are tons of special editions of their third outing Silent Shout floating around. For the price of a normal album I got Silent Shout, A live audio recording of their show AND the live DVD too! but enough about bargains there are some pretty sweet tunes in here too, some that I prefer more to the normal album ones.







Moving west towards my neck of the woods, Simian Mobile Disco's second album Temporary Pleasure had a nifty special edition that looks pretty cool, but good luck getting that round tin to stand up and fit in with the rest of your collection (trust me). Anyways all the bonuses are basically precursors to the more techno styled stuff they'd explore on their third album, Delicacies. Here are my favourites.





And finally: Goldie. Every single pressing of Timeless I've ever seen had a different tracklist: some have 6, some have 8, some have the same tracks but under different names and so on. I lucked out when I scooped the Limited Edition pressing which is about 2 hours long and a whopping 12 tracks. With a lil' help from Moving Shadow founder Rob Playford, Goldie knocks out some proper top notch old school Drum & Bass, be sure to check it out.


And once again I leave you all to your own devices, I'll try not to be as long next time but for now enjoy the musics and take care. I'll see ya when I come back around.

The Price Is Right,
- Claude Van Foxbat

Friday, 7 January 2011

This would've been cool some days ago

Hi there,

Long time no see right, so how are the kids going? Good you say, nice to hear... Oh, you wanted to listen to some more music. Well pardon me for trying to be friendly here. Let's get right to it then.

Original artwork by Mr. Brown...




This first and probably only remix from Duck Sauce would've been cool and hip if I posted about it some days ago when it came out, too bad I'm always running late and it's probably on every single blog by now... But I can't let Ilictronix limp behind, now can I?



Not much to say about this remix, it's a nice fluent track that keeps the vibe from the original but just gives it that little extra. I don't really have much time to actually talk about the tracks as you might have noticed :D



Oh and I finally bought the Jamiroquai singles album (wanted to buy the new one, but you know them silly record stores and their stock problems). So here's one of my favourites from the album (because of Napoleon dynamite I must add). Yet even without the sweet dance routine it stays funky as hell!

Enjoy this short installment of rather nice tracks,
Mr. Brown

ps: Happy son's day, Boba's father!

Thursday, 29 April 2010

Simian Mobile Disco

Hey.


Okay guys, what happened? Out of the original big 4 acts that represent 'the golden age' of electro (That is to say, Justice, SMD, Digitalism and MSTRKRFT, between the years of 2005 - 2007), Simian Mobile Disco had so much potential. They had a great album, their live show was indeed live (read: not DJing) and their DJ mixes were fantastic.
So when I heard this -



Well.
Seriously though. This is just really fucking galling. Look, I wasn't crazy about Temporary Pleasure, but I did like it. It wasn't packed with exclusively brilliant tracks like Attack Decay Sustain Release was, but it most definitely had moments. But, just read the totally childish and woefully outdated writeup on the Boomkat website (which I pray to God is their own copy and not SMD's), because, um

-
"For the Boys Noize types there's 'Aspic' on the A-side with climactic rave synths and acid house beats."
"Beating out a proper minimalist tattoo with maximalist dub chamber FX making for a striking cut that should find a wide audience. Impressive!"


For the Boys Noize types? Climactic rave synths? First of all, what constitutes the abuse of the word 'rave' might be a topic for a whole different post, but let's get serious. Second of all, fuck off with your 'climactic rave synths'. Seriously.
Oh, that last quoted part was in reference to your desire for something a little darker.
Which is apparently minimal techno.
Anyway, here are the before and after examples.
Impressive!
Phil.

Sunday, 16 August 2009

Back from Bristol

Yesterday I got back from my semi-weekend in Bristol. In between eating steak and cheese sandwiches from Subway and checking out the Banksy exhibition at Bristol Museum, I hit the record shops and actually managed to score myself some great tunes on vinyl for a bargain.









Keep it magnetic,
Joe